Undercroft ground and gallery level plans
Architectural Drawing
September 1988 (made)
September 1988 (made)
Artist/Maker | |
Place of origin |
Located in a residential area of Harringay, North London, St Paul’s was designed by Peter Jenkins between 1988 and 1993 to replace a Victorian Gothic Revival church (built 1890-1) which was destroyed by fire on Ash Wednesday 1984.
Jenkins’ church combines traditional liturgical forms with contemporary design. The plan of the church is traditional, being narrow and rectangular with the entrance at the west end and the altar at the east. This was in part dictated by the confines of the site, but also by the church’s Anglo-Catholic liturgical tradition which preferred an axial, processional plan. This traditional plan is in contrast to the majority of contemporary churches, which locate congregations around a central altar in order to emphasise the participatory aspect of the Communion.
In scale, Jenkins’ design echoes that of its Victorian predecessor, which was built to a vast scale, able to seat 900, and visually dominated the area’s skyline. Despite being a much smaller church in capacity, seating just 140, Jenkins has maintained the church’s visual dominance, making it an architectural and spiritual focal point in the surrounding area. This aspect of the design generated serious opposition from the local council, which argued – unsuccessfully – that the new church should blend in with the surrounding architecture.
Jenkins’ church combines traditional liturgical forms with contemporary design. The plan of the church is traditional, being narrow and rectangular with the entrance at the west end and the altar at the east. This was in part dictated by the confines of the site, but also by the church’s Anglo-Catholic liturgical tradition which preferred an axial, processional plan. This traditional plan is in contrast to the majority of contemporary churches, which locate congregations around a central altar in order to emphasise the participatory aspect of the Communion.
In scale, Jenkins’ design echoes that of its Victorian predecessor, which was built to a vast scale, able to seat 900, and visually dominated the area’s skyline. Despite being a much smaller church in capacity, seating just 140, Jenkins has maintained the church’s visual dominance, making it an architectural and spiritual focal point in the surrounding area. This aspect of the design generated serious opposition from the local council, which argued – unsuccessfully – that the new church should blend in with the surrounding architecture.
Object details
Categories | |
Object type | |
Title | Undercroft ground and gallery level plans (generic title) |
Materials and techniques | Ink on tracing paper |
Brief description | Undercroft, ground and gallery level plans for St Paul's Church, Harringay, London, by Peter Jenkins and John Carter of Peter Inskip and Peter Jenkins Architects, ink on tracing paper, London, September 1988 |
Physical description | Plans (scale 1:50) at undercroft level, ground floor and organ gallery for St Paul's Church, Harringay. |
Dimensions |
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Marks and inscriptions | ST PAUL’S CHURCH HARRINGAY / NEW CHURCH AND PARSONAGE / Undercroft, Ground and Gallery / Level Plans Sept 1988 / SPH 205 rev scale 1.50 / Peter Inskip and Peter Jenkins Chartered Architects / 1 Newbury Street London EC1A 7HU 01726 8977 (Bottom right) |
Credit line | Given by Peter Jenkins |
Subjects depicted | |
Summary | Located in a residential area of Harringay, North London, St Paul’s was designed by Peter Jenkins between 1988 and 1993 to replace a Victorian Gothic Revival church (built 1890-1) which was destroyed by fire on Ash Wednesday 1984. Jenkins’ church combines traditional liturgical forms with contemporary design. The plan of the church is traditional, being narrow and rectangular with the entrance at the west end and the altar at the east. This was in part dictated by the confines of the site, but also by the church’s Anglo-Catholic liturgical tradition which preferred an axial, processional plan. This traditional plan is in contrast to the majority of contemporary churches, which locate congregations around a central altar in order to emphasise the participatory aspect of the Communion. In scale, Jenkins’ design echoes that of its Victorian predecessor, which was built to a vast scale, able to seat 900, and visually dominated the area’s skyline. Despite being a much smaller church in capacity, seating just 140, Jenkins has maintained the church’s visual dominance, making it an architectural and spiritual focal point in the surrounding area. This aspect of the design generated serious opposition from the local council, which argued – unsuccessfully – that the new church should blend in with the surrounding architecture. |
Bibliographic references |
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Other numbers |
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Collection | |
Accession number | E.141-2022 |
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Record created | June 10, 2019 |
Record URL |
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