Design
1988-1993 (made)
Artist/Maker | |
Place of origin |
Located in a residential area of Harringay, North London, St Paul’s was designed by Peter Jenkins between 1988 and 1993 to replace a Victorian Gothic Revival church (built 1890-1) which was destroyed by fire on Ash Wednesday 1984.
Jenkins’ church combines traditional liturgical forms with contemporary design. The plan of the church is traditional, being narrow and rectangular with the entrance at the west end and the altar at the east. This was in part dictated by the confines of the site, but also by the church’s Anglo-Catholic liturgical tradition which preferred an axial, processional plan. This traditional plan is in contrast to the majority of contemporary churches, which locate congregations around a central altar in order to emphasise the participatory aspect of the Communion.
In scale, Jenkins’ design echoes that of its Victorian predecessor, which was built to a vast scale, able to seat 900, and visually dominated the area’s skyline. Despite being a much smaller church in capacity, seating just 140, Jenkins has maintained the church’s visual dominance, making it an architectural and spiritual focal point in the surrounding area. This aspect of the design generated serious opposition from the local council, which argued – unsuccessfully – that the new church should blend in with the surrounding architecture.
Jenkins’ church combines traditional liturgical forms with contemporary design. The plan of the church is traditional, being narrow and rectangular with the entrance at the west end and the altar at the east. This was in part dictated by the confines of the site, but also by the church’s Anglo-Catholic liturgical tradition which preferred an axial, processional plan. This traditional plan is in contrast to the majority of contemporary churches, which locate congregations around a central altar in order to emphasise the participatory aspect of the Communion.
In scale, Jenkins’ design echoes that of its Victorian predecessor, which was built to a vast scale, able to seat 900, and visually dominated the area’s skyline. Despite being a much smaller church in capacity, seating just 140, Jenkins has maintained the church’s visual dominance, making it an architectural and spiritual focal point in the surrounding area. This aspect of the design generated serious opposition from the local council, which argued – unsuccessfully – that the new church should blend in with the surrounding architecture.
Object details
Categories | |
Object type | |
Materials and techniques | Pen on paper |
Brief description | Sketch for candle holders for St Paul's Church, Harringay, London, by Peter Jenkins of Peter Inskip + Peter Jenkins Architects, pen on paper, London, 1988-1993 |
Physical description | Ink sketches on A5 paper for altar candle holders with dimensions for fabrication and descriptions of the finish required. |
Dimensions |
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Marks and inscriptions |
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Credit line | Given by Peter Jenkins |
Summary | Located in a residential area of Harringay, North London, St Paul’s was designed by Peter Jenkins between 1988 and 1993 to replace a Victorian Gothic Revival church (built 1890-1) which was destroyed by fire on Ash Wednesday 1984. Jenkins’ church combines traditional liturgical forms with contemporary design. The plan of the church is traditional, being narrow and rectangular with the entrance at the west end and the altar at the east. This was in part dictated by the confines of the site, but also by the church’s Anglo-Catholic liturgical tradition which preferred an axial, processional plan. This traditional plan is in contrast to the majority of contemporary churches, which locate congregations around a central altar in order to emphasise the participatory aspect of the Communion. In scale, Jenkins’ design echoes that of its Victorian predecessor, which was built to a vast scale, able to seat 900, and visually dominated the area’s skyline. Despite being a much smaller church in capacity, seating just 140, Jenkins has maintained the church’s visual dominance, making it an architectural and spiritual focal point in the surrounding area. This aspect of the design generated serious opposition from the local council, which argued – unsuccessfully – that the new church should blend in with the surrounding architecture. |
Bibliographic reference | Taken from notes by Peter Jenkins (Clare Lodge, Practice Archivist, 25/02/2016)
"Ink sketches by PJ on A5 paper of the altar candle holders with dimensions for fabrication by the granite workshops in Mahabaliporum India organised by Stephen Cox, included are descriptions of the finish required and note the incorrect spelling by PJ of ‘Harringay’ (the name of the Anglican parish) as ‘Haringey,’ probably in too much haste to complete the drawing. The holders were made only a month before the dedication of the church." |
Other number | SPH(A)53 - Previous number |
Collection | |
Accession number | E.137-2022 |
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Record created | June 10, 2019 |
Record URL |
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