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Perspective view of St Paul's Church Harringay

Architectural Drawing
1991 (made)
Artist/Maker
Place of origin

Located in a residential area of Harringay, North London, St Paul’s was designed by Peter Jenkins between 1988 and 1993 to replace a Victorian Gothic Revival church (built 1890-1) which was destroyed by fire on Ash Wednesday 1984.

Jenkins’ church combines traditional liturgical forms with contemporary design. The plan of the church is traditional, being narrow and rectangular with the entrance at the west end and the altar at the east. This was in part dictated by the confines of the site, but also by the church’s Anglo-Catholic liturgical tradition which preferred an axial, processional plan. This traditional plan is in contrast to the majority of contemporary churches, which locate congregations around a central altar in order to emphasise the participatory aspect of the Communion.

In scale, Jenkins’ design echoes that of its Victorian predecessor, which was built to a vast scale, able to seat 900, and visually dominated the area’s skyline. Despite being a much smaller church in capacity, seating just 140, Jenkins has maintained the church’s visual dominance, making it an architectural and spiritual focal point in the surrounding area. This aspect of the design generated serious opposition from the local council, which argued – unsuccessfully – that the new church should blend in with the surrounding architecture.

Object details

Categories
Object type
TitlePerspective view of St Paul's Church Harringay (generic title)
Materials and techniques
ink drawing on tracing paper
Brief description
Perspective view of the exterior from the northwest of St Paul's Church Harringay, ink on tracing paper, Peter Jenkins, London, 1991
Physical description
Axonometric of exterior of St Paul's Church Harringay from the front. Perspective view of the exterior from the northwest. Showing the base emerging as a ground work from the hill as it descends to the east. There are the towers on each side of the recessed west door and the bell chamber louvres above and the projecting roof.
Dimensions
  • Height: 845mm
  • Width: 598mm
Marks and inscriptions
SPH(A)07 (handwritten in ink)
Credit line
Given by Peter Jenkins
Subject depicted
Summary
Located in a residential area of Harringay, North London, St Paul’s was designed by Peter Jenkins between 1988 and 1993 to replace a Victorian Gothic Revival church (built 1890-1) which was destroyed by fire on Ash Wednesday 1984.

Jenkins’ church combines traditional liturgical forms with contemporary design. The plan of the church is traditional, being narrow and rectangular with the entrance at the west end and the altar at the east. This was in part dictated by the confines of the site, but also by the church’s Anglo-Catholic liturgical tradition which preferred an axial, processional plan. This traditional plan is in contrast to the majority of contemporary churches, which locate congregations around a central altar in order to emphasise the participatory aspect of the Communion.

In scale, Jenkins’ design echoes that of its Victorian predecessor, which was built to a vast scale, able to seat 900, and visually dominated the area’s skyline. Despite being a much smaller church in capacity, seating just 140, Jenkins has maintained the church’s visual dominance, making it an architectural and spiritual focal point in the surrounding area. This aspect of the design generated serious opposition from the local council, which argued – unsuccessfully – that the new church should blend in with the surrounding architecture.
Bibliographic references
  • Taken from notes by Peter Jenkins (Clare Lodge, Practice Archivist, 25/02/2016) "Perspective view of the exterior from the northwest, with eye level at the ground at the entrance, illustrating the base emerging as a ground work from the hill as it descends to the east and the arrangements of elements forming the west front including the towers each side of the recessed west door, the bell chamber louvres above and the projecting roof. This was intended to explore the appearance of the new church and its contribution to the public domain as is approached along the main road of the parish (Wightman Road) rising towards it from the north. The church stands on the highest point in the parish. Presentation drawing in ink for publication in AT, on AO tracing paper, undated, but made in early 1991."
  • Seeley, John, 'Phoenix Rising, St Paul's, Harringay' in Church Building (Summer 1990), p. 45
  • 'Clare Melhuish reports on the new church' in Church Building (Summer 1990), pp. 46-47
  • 'Detail: St Paul's, Harringay by Peter Inskip & Peter Jenkins' in Architecture Today, 17 (April 1991), pp. 88-89
  • Glancey, Jonathan, 'A temple of simplicity to soothe the soul', in The Independent, Wednesday 4 August 1993, p.13
  • Dorment, Richard, 'Putting high art above the altar', in The Daily Telegraph, Wednesday, August 25, 1993, p. 12
  • Maxwell, Robert, 'Sacred Space: Inskip and Jenkins in Haringey' in Architecture Today, 43 (November 1993), pp. 36-41
  • 'New Church of St Paul, Harringay (GB)' in Eurozinc (1993), p. 13.
  • 'St Paul's Harringay, Review by Clare Melhuish and Michael Jones-Frank' in Church Building, Issue 28 (July/August 1994), pp. 31-33
  • 'Spiritual Elevation, St Paul's Church, Wightman Road, Harringay, London N4', in Brick Bulletin (Autumn, 1994), pp. 18-20
Other number
SPH(A)07 - Previous number
Collection
Accession number
E.108-2022

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Record createdJune 10, 2019
Record URL
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