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Sketch of a seated cat

Watercolour
c. 1904-8 (painted)
Artist/Maker
Place of origin

Gwen John (1876-1939) made several drawings and watercolours of cats. This watercolour is probably the best known of them. Her choice of subject-matter throughout her career remained based on the figure - usually a single figure, and usually a woman in an interior. Just as her watercolours of women are intimate and concentrated, this study similarly captures the remote self-possession and unconcern of the cat.

Object details

Categories
Object type
TitleSketch of a seated cat
Materials and techniques
Pencil and watercolour
Brief description
Watercolour, Sketch of a seated cat, by Gwen John, c.1904-8
Physical description
Pencil and watercolour sketch of a seated cat. It is a tabby or tortoise-shell cat with a white front, portrayed in profile, facing away from the viewer lit by a strong light from the right which casts a shadow onto the wall behind. The wall is a faded red colour and the cat's body, particularly the legs and ears, are roughly outlined in pencil. The painting is stamped with the facsimile signature of Gwen John (used by the artist's estate) and is mounted on a card with a gold, red and green-brown trim.
Dimensions
  • Height: 15.6cm
  • Width: 11.8cm
Style
Marks and inscriptions
Stamped with facsimile signature 'Gwen John' (estate stamp).
Object history
This may show her beloved cat, Edgar Quinet, named after the street in Paris she lived on when she first had the cat. She was devastated when Edgar Quinet ran away in 1908.
This drawing was included in the Gwen John Memorial Exhibition at Messrs. Matthiesen, Ltd., London, 1946, no. 189 as 'Cat sitting up, throwing a shadow on a red background.'
Subject depicted
Summary
Gwen John (1876-1939) made several drawings and watercolours of cats. This watercolour is probably the best known of them. Her choice of subject-matter throughout her career remained based on the figure - usually a single figure, and usually a woman in an interior. Just as her watercolours of women are intimate and concentrated, this study similarly captures the remote self-possession and unconcern of the cat.
Bibliographic reference
Victoria & Albert Museum Department of Engraving Illustration and Design & Department of Paintings, Accessions 1946. London: Published under the Authority of the Ministry of Education, 1949.
Collection
Accession number
P.15-1946

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Record createdDecember 15, 1999
Record URL
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