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1-L. The first of fifteen woodcuts comprising The Parallelogram Suite

Print
1961-1969 (made)
Artist/Maker
Place of origin

Judd is known principally as a sculptor but within his lifetime he produced around 300 editions of prints. Printmaking as a medium could be easily adapted and exploited to explore seriality and progression- concepts of particular interest to Judd. To create these serial works in both print and three dimensional sculpture Judd worked with very simple geometric forms


Object details

Category
Object type
Title1-L. The first of fifteen woodcuts comprising The Parallelogram Suite (assigned by artist)
Materials and techniques
woodcut in red ink on paper
Brief description
Donald Judd: 1-L. first of a set 15 woodcuts 'The Parallelogram Suite' 1961-69
Physical description
Each image of the suite is a variation of a 12-groove patterned parallelogram. The upper and lower margins either slope down to the left (in those captioned with an L) or down to the right (in those captioned with an R). This suite is printed in red.
Dimensions
  • Average size of sheets for whole suite height: 77.7cm
  • Average size of sheet for whole suite width: 56cm
Style
Production typeLimited edition
Copy number
9/10
Marks and inscriptions
Judd / Don Judd 61-69 / 1-L / 9/10 (Signed in pencil and again on the back with the date. Inscribed with corresponding title (within the entire suite) and numbered with edition no.)
Credit line
Acquired from the Artist in 1971.
Production
The artist designed the blocks which were then cut and printed by his father. Each image of the suite is a variation of a 12-groove patterned parallelogram. The upper and lower margins either slope down to the left (L) or down to the right (R) and the prints are titled with a number and the letter L or R, according to whether the slope is to the left or to the right. The numbering is not consistently sequential . For example, there are no 'L' numbers 8, 9 or 10: the numbering jumps from 7-11.
Some sets of the edition were printed in red, others in blue. When the edition was finished the artist painted the blocks to signify their cancellation as blocks and designated them as sculptural reliefs. The woodblock is in the museum's collection: see Circ.81-1971
Summary
Judd is known principally as a sculptor but within his lifetime he produced around 300 editions of prints. Printmaking as a medium could be easily adapted and exploited to explore seriality and progression- concepts of particular interest to Judd. To create these serial works in both print and three dimensional sculpture Judd worked with very simple geometric forms
Associated objects
Bibliographic reference
Taken from Departmental Circulation Register 1971
Collection
Accession number
CIRC.359-1971

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Record createdMarch 21, 2008
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