Not on display

Print

1896 (made)
Artist/Maker
Place of origin

Walter Bertram Potter (1872-1918), known as Bertram, was the younger brother of the children's author and illustrator Beatrix Potter. As a child he shared his sister's passions for drawing and natural history and it was he who first encouraged Beatrix to publish some early rabbit drawings as greetings cards in 1890.

Bertram's work informed that of his sister. On 25 July 1905 Beatrix Potter wrote to Frederick Warne & Co. to suggest the cause of some 'spottyness' on the printing blocks of her book illustrations: 'I have seen my brother's copperplate etchings go exactly the same way, especially if using a mixture of hydrochloric & nitric acid. I think H.Cl. feels the heat most & they split'. Beatrix later based several of her illustrations to The Fairy Caravan (1929) on Bertram's etchings of rocky Lake District landscapes.

Although overshadowed by the success of his sister, Bertram became an artist in his own right. He produced much larger scale oil paintings and etchings and exhibited work at the Royal Academy.

Object details

Categories
Object type
Materials and techniques
Etching on paper
Brief description
Etching of a kestrel by Bertram Potter, Great Britain, 1896.
Physical description
Kestrel on a branch tilting its head.
Dimensions
  • Height: 56cm
  • Width: 39cm
Production typeLimited edition
Marks and inscriptions
Walter B. Potter (In pencil on recto)
Credit line
Given by Joan Duke
Object history
Etched by Bertram Potter in the 1890s. Acquired by the V&A from Joan Duke in October 2006.
Subject depicted
Summary
Walter Bertram Potter (1872-1918), known as Bertram, was the younger brother of the children's author and illustrator Beatrix Potter. As a child he shared his sister's passions for drawing and natural history and it was he who first encouraged Beatrix to publish some early rabbit drawings as greetings cards in 1890.

Bertram's work informed that of his sister. On 25 July 1905 Beatrix Potter wrote to Frederick Warne & Co. to suggest the cause of some 'spottyness' on the printing blocks of her book illustrations: 'I have seen my brother's copperplate etchings go exactly the same way, especially if using a mixture of hydrochloric & nitric acid. I think H.Cl. feels the heat most & they split'. Beatrix later based several of her illustrations to The Fairy Caravan (1929) on Bertram's etchings of rocky Lake District landscapes.

Although overshadowed by the success of his sister, Bertram became an artist in his own right. He produced much larger scale oil paintings and etchings and exhibited work at the Royal Academy.
Other number
AAD/2006/4/436 - V&A Archive number
Collection
Accession number
AR.4:436-2006

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Record createdFebruary 6, 2019
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