Not on display

Anuradhapura. The Nuwarawewa (tank) with the sacred mountain of Mihintálé (to the right hand) in the distance. This tank is about five miles in circumference. It was constructed by King Panduwása in the early part of the fifth century before Christ.

Photograph
1870s (photographed)
Artist/Maker
Place of origin

The Nuwara-wewa is the largest of Anuradhapura’s artificial lakes. It was most likely built by Gajabahu I in the second century AD.

Joseph Lawton (died 1872), a British commercial photographer, was active in Sri Lanka (then Ceylon) between 1866 and 1872. Though he was initially employed by the firm HC Bryde, by the mid 1860s he had established his own studio in Kandy. Lawton was commissioned by the Archaeological Committee to photograph the main archaeological sites in Sri Lanka. He created a unique series of aesthetically powerful images of Anuradhapura, Mihintale, Polonnaruwa and Sigiriya.

Official photographic surveys conducted by Lawton and others documented the architecture and facilitated antiquarian scholarship. However, as a commercial photographer, Lawton made sure that his photographs were not merely documentary. His images were taken to appeal to tourists and overseas buyers seeking picturesque views of ancient ruins overgrown with creepers and gnarled trees.

Object details

Categories
Object type
Titles
  • Anuradhapura. The Nuwarawewa (tank) with the sacred mountain of Mihintálé (to the right hand) in the distance. This tank is about five miles in circumference. It was constructed by King Panduwása in the early part of the fifth century before Christ. (manufacturer's title)
  • The Nuwarawewa (tank) at Anuradhapura with Mihintale in the background. (generic title)
Materials and techniques
Albumen print
Brief description
Photograph of the Nuwara-wewa (tank) at Anuradhapura with Mihintale in the background, Sri Lanka, by Joseph Lawton, albumen print, 1870-1.
Physical description
The large expanse of a field covered in grass and shrubs, with the horizon line dividing the image in half. In the foreground is a border composed sticks, shrubs, stones, and the remains of short pillars. In the middle distance a South Asian man walks (the figure is blurred) carrying a rifle over his right shoulder. In the far distance, a body of water is barely visible as is a mountain range in the mist.
Dimensions
  • Photographic print width: 281mm
  • Photographic print height: 215mm
  • Mount width: 326mm
  • Mount height: 262mm
Marks and inscriptions
LAWTON (Written on negative and appears in the bottom right hand corner of the print.)
Object history
This photograph was one of a set given to the museum by Mrs Moberley. Her late husband George Moberley, had collected them while in India and Ceylon during the1860-70s. See Registry file MA/1/M2393

The photograph was initially part of the photographic collection held in the National Art Library. The markings on the mount are an indication of the history of the object, its movement through the museum and the way in which it is categorised.

The mount is white. In the top right hand corner is a label which reads: A.in.ANURADHAPURA. A label printed with the title is pasted on the back of the mount and the museum number is handwritten in the bottom right hand corner. The top of the mount is embossed with the National Art Library seal (partially trimmed off at the top), with the words 'LIBRARY/ VICTORIA AND ALBERT MUSEUM'.

Historical significance: The Nuwara wewa lies to the east of New Town and is the largest of Anuradhapura’s artificial lakes. It was most likely built by Gajabahu I in the second century AD.

Anuradhapura was one of the first centres of Buddhism in Sri Lanka and is the home of some of the most sacred Buddhist sites in the world. It is situated in the North West province, about 200km from Colombo. Anuradhapura was established as Sri Lanka’s first capital in 377 BC by King Pandukhabhaya (437-367 BC), who named it after the constellation Anuradha. He started the complex irrigation works on which it depended and King Devanampiya Tissa, who reigned 250-10 BC, began the first stage of religious building. This building project included the Thuparama Dagoba, Issurumuniyagala, the Maha Vihara, the Sri Maha Bodhi and the Brazen Palace. A branch of the Bodhi tree under which the Buddha was believed to have gained Enlightenment was brought from Bodhgaya in India and successfully transplanted.

Anuradhapura remained the capital city until the 9th century when repeated invasions from south India resulted in the deterioration of its architectural structures and the virtual disuse of its irrigation works. After the 13th century, its political functions were taken over first by Polonnaruwa and then by capitals to the south. In the 1820s Ralph Backhaus, a young British civil servant, mounted a private expedition to search for the remains of the city. Despite widespread public interest in his findings, archaeological research, excavation and restoration were not begun until 1872. The New Town was started in the 1950s and is now the most important Sinhalese city of the north. It currently houses the headquarters of the Sri Lanka Archaeological Survey. In 1988, it was designated a World Heritage Site.
Historical context
This is one of a series of photographs taken by Lawton of the archaeological sites of Anuradhapura, Mihintale, Polonnaruwa and Sigiriya (1870-71). This series was commissioned by the Archaeological Committee (set up by the Governor of Ceylon in 1868) and became his signature work. Photographic surveys, conducted by Lawton and competitors such as the more prolific commercial firm WLH Skeen and Co., coincided with antiquarian scholarship that emerged as a result of the deforestation necessary to lay roadways, railways and plantations in the last quarter of the nineteenth century. This process was propelled by an expansion of both the export and tourist economies. A colleague of Lawton's proposed that his involvement in the physical labour of clearing the archaeological sites that he photographed contributed to his death. After Lawton's death, many prints were produced by the firm for the tourist market, however, the original negatives were sold to a variety of different clients and are now considered to be lost.
Production
Likely printed between 1872 and 1882

Attribution note: This is one of a series of photographs taken by Lawton of the archaeological sites of Anuradhapura, Mihintale, Polonnaruwa and Sigiriya (1870-71), commissioned by the Archaeological Committee which the Governor of Ceylon set up in 1868. Two sets of these photographs were produced by Lawton: one which remained in Sri Lanka (now in such poor condition it is considered to be unusable) and a second which was sent to the Colonial Office in London (first kept in the Library of the Foreign and Commonwealth Office and now in The National Archives). After Lawton's death in 1872, further images were produced by the firm under the supervision of his wife and sold largely to a tourist market. Reprints of this particular photograph appear in an album currently held in the Word and Image Department (PH.1202:85-1920) as well as in the Scott Collection (92/16/3) within the India Office Select Materials of the British Library.
Subject depicted
Place depicted
Summary
The Nuwara-wewa is the largest of Anuradhapura’s artificial lakes. It was most likely built by Gajabahu I in the second century AD.

Joseph Lawton (died 1872), a British commercial photographer, was active in Sri Lanka (then Ceylon) between 1866 and 1872. Though he was initially employed by the firm HC Bryde, by the mid 1860s he had established his own studio in Kandy. Lawton was commissioned by the Archaeological Committee to photograph the main archaeological sites in Sri Lanka. He created a unique series of aesthetically powerful images of Anuradhapura, Mihintale, Polonnaruwa and Sigiriya.

Official photographic surveys conducted by Lawton and others documented the architecture and facilitated antiquarian scholarship. However, as a commercial photographer, Lawton made sure that his photographs were not merely documentary. His images were taken to appeal to tourists and overseas buyers seeking picturesque views of ancient ruins overgrown with creepers and gnarled trees.
Bibliographic references
  • Regeneration: A Reappraisal of Photography in Ceylon, 1850-1900. London: British Council, 2000. ISBN 086355444X
  • Falconer, John. Pattern of photographic surveys: Joseph Lawton in Ceylon. In: Pelizzari, Maria Antonella. ed. Traces of India: Photography, Architecture, and the Politics of Representation, 1850-1900. Montréal: Canadian Centre for Architecture, 2003. 156-173p., ISBN 0920785743.
Other number
203 - Negative number
Collection
Accession number
2285-1912

About this object record

Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.

You can write to us to suggest improvements to the record.

Suggest feedback

Record createdMarch 12, 2008
Record URL
Download as: JSONIIIF Manifest