Untitled. from the suite 'Ten Works by Ten Painters.'
Print
1964 (published)
1964 (published)
Artist/Maker | |
Place of origin |
Robert Motherwell is recognised as an Abstract Expressionist - a term applied to a group of artists who came to prominence in the 1940s and '50s, principally in the USA. As the name implies, their work was non-figurative and colour, line and texture were important as ends in themselves rather than being deployed for any traditional style of still life, narrative, landscape etc. Within this group, Motherwell was also important as a critic and in his writings helped to explain the movement and promote some of the more retiring figures within it, such as Mark Rothko.
Unlike most of his peers in the movement, Motherwell became very interested in printmaking, which he took up in the early 1960s. This piece combines the unique character of collage with the multiple one of editioned prints; the torn edge of the paper is highly suggestive of the expressionist character of his paintings. [Another impression of this print is Circ.126-1969.]
Unlike most of his peers in the movement, Motherwell became very interested in printmaking, which he took up in the early 1960s. This piece combines the unique character of collage with the multiple one of editioned prints; the torn edge of the paper is highly suggestive of the expressionist character of his paintings. [Another impression of this print is Circ.126-1969.]
Object details
Category | |
Object type | |
Title | Untitled. from the suite 'Ten Works by Ten Painters.' |
Materials and techniques | Screenprint and collage on paper |
Brief description | Robert Motherwell. Untitled. Screenprint and collage from the suite 'Ten Works by Ten Painters' published by the Wadsworth Atheneum, 1964. |
Physical description | Image with ochre ground, on which collaged white paper, irregularly torn into two roughly triangular shapes: an upper one, with three protruding 'leg' shapes and a lower one, which is roughly a shallow 'reflection' of the upper one. About one third way down sheet: a black, apple shape, but hollow at centre to allow white of collaged paper to show through. In the lower collage piece, some slight black ink marks like light pen marks. |
Dimensions |
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Styles | |
Production type | Limited edition |
Copy number | 67/500 |
Marks and inscriptions | (Not signed or dated. Blind stamped with printer's chop mark.) |
Credit line | Acquired from Peter Tunnard in 1969. |
Production | The printing was by Sirocco under supervision of Ives-Sillman |
Summary | Robert Motherwell is recognised as an Abstract Expressionist - a term applied to a group of artists who came to prominence in the 1940s and '50s, principally in the USA. As the name implies, their work was non-figurative and colour, line and texture were important as ends in themselves rather than being deployed for any traditional style of still life, narrative, landscape etc. Within this group, Motherwell was also important as a critic and in his writings helped to explain the movement and promote some of the more retiring figures within it, such as Mark Rothko. Unlike most of his peers in the movement, Motherwell became very interested in printmaking, which he took up in the early 1960s. This piece combines the unique character of collage with the multiple one of editioned prints; the torn edge of the paper is highly suggestive of the expressionist character of his paintings. [Another impression of this print is Circ.126-1969.] |
Associated objects | |
Bibliographic references |
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Collection | |
Accession number | CIRC.533-1969 |
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Record created | March 7, 2008 |
Record URL |
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