Characters From Shakespeare. Sheet 6.
Scrap
ca.1890 (printed)
ca.1890 (printed)
Artist/Maker | |
Place of origin |
Scraps first appeared in the early 19th century as black and white engravings, and were later coloured by hand. By the 1820s they had become more elaborate and sometimes embossed, and within a decade both the printing and embossing processes were automated. They were colour printed by chromolithography, and coated with a gelatine and gum layer to give them a gloss finish. After being embossed they were die-cut and put through a stamping press to cut away the unwanted areas of paper, leaving the individual images connected by small strips, often bearing the name or initials of the maker.
Scraps became extremely popular in Victorian England to be cut out by adults or children and stuck into albums, on to screens, or used for decorating greetings cards. This scrap is one of a series depicting Shakespearean characters played by popular actors. Edmund Kean first starred in Richard III at London's Drury Lane Theatre, 12 February 1814.
Scraps became extremely popular in Victorian England to be cut out by adults or children and stuck into albums, on to screens, or used for decorating greetings cards. This scrap is one of a series depicting Shakespearean characters played by popular actors. Edmund Kean first starred in Richard III at London's Drury Lane Theatre, 12 February 1814.
Object details
Category | |
Object type | |
Title | Characters From Shakespeare. Sheet 6. (series title) |
Materials and techniques | Printed paper |
Brief description | Shakespearean characters paper scrap depicting Edmund Kean (1787-1833) as King Richard III, with two child actors as Edward Prince of Wales and Richard Duke of York from KING RICHARD III, Drury Lane Theatre, 12 February 1814. Chromolithograph printed by Siegmund Hildesheimer & Co., ca.1890. Aubrey Ensor Bequest. |
Physical description | Full-colour chromolithograph scrap depicting Edmund Kean as Richard III wearing an ermine-trimmed cape and crown, his hands crossed in front of his chest, standing with two un-named actors in blue tunic and hose as Edward Prince of Wales and Richard Duke of York. To the left of King Richard's head is printed some of the dialogue from RICHARD III with the attribution: 'KING RICHARD III Act III scene 1. The scrap is complete as a sheet before cutting, giving the name of the series, the number of the item and the monogram of the printer. |
Dimensions |
|
Copy number | 433 |
Marks and inscriptions | Monogram, entwined letters S.H & Co., printed in gold (Monogram of Siegmund Hildesheimer & Co,. London, New York & Manchester, 1888-1927.) |
Gallery label |
|
Credit line | Given by the British Theatre Museum Association |
Object history | Edmund Kean appeared as Richard III at Drury Lane Theatre, 12 February 1814 |
Subjects depicted | |
Association | |
Literary reference | <i>Richard III</i> |
Summary | Scraps first appeared in the early 19th century as black and white engravings, and were later coloured by hand. By the 1820s they had become more elaborate and sometimes embossed, and within a decade both the printing and embossing processes were automated. They were colour printed by chromolithography, and coated with a gelatine and gum layer to give them a gloss finish. After being embossed they were die-cut and put through a stamping press to cut away the unwanted areas of paper, leaving the individual images connected by small strips, often bearing the name or initials of the maker. Scraps became extremely popular in Victorian England to be cut out by adults or children and stuck into albums, on to screens, or used for decorating greetings cards. This scrap is one of a series depicting Shakespearean characters played by popular actors. Edmund Kean first starred in Richard III at London's Drury Lane Theatre, 12 February 1814. |
Associated object | S.3:2-2008 (Duplicate) |
Other number | 1973/A/119 - BTMA accession number |
Collection | |
Accession number | S.63-2008 |
About this object record
Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.
You can write to us to suggest improvements to the record.
Suggest feedback
You can write to us to suggest improvements to the record.
Suggest feedback
Record created | March 3, 2008 |
Record URL |
Download as: JSON