Whiteface clown costume worn by Jackie Sloan
Circus Costume
ca.1950
ca.1950
Artist/Maker | |
Place of origin |
Although white make-up was used by clowns as early as Grimaldi in the early 1800s, the duo of elegant white-face clown and hobo-style Auguste was a late 19th century development in circus, introduced after Tom Belling Senior (1843-1900) played the lower-class style clown at the Circus Renz in Vienna in the 1870s. This specifically dressed duo is obsolete today but was an essential element of 20th century circus. The more outrageous and stupid the red-nosed Auguste could look in his baggy clothes and oversized shoes the better, in contrast to his sparring partner the elegantly-dressed white-face clown.
Jackie Sloan (1914-1984) worked with Chipperfields Circus and Bertram Mills Circus from the early 1950s to the 1960s when he retired due to ill health. Like all white-face clowns he played the elegant and intelligent part of the duo in contract to the rumbunctious and baggily dressed clown, as typified in the 1950s by Coco the clown (Nicolai Poliakoff, 1900-1974), with whom he worked.
Jackie Sloan (1914-1984) worked with Chipperfields Circus and Bertram Mills Circus from the early 1950s to the 1960s when he retired due to ill health. Like all white-face clowns he played the elegant and intelligent part of the duo in contract to the rumbunctious and baggily dressed clown, as typified in the 1950s by Coco the clown (Nicolai Poliakoff, 1900-1974), with whom he worked.
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Object details
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Object type | |
Title | Whiteface clown costume worn by Jackie Sloan (generic title) |
Materials and techniques | Linen, cotton, sequins, metal poppers and beads |
Brief description | Whiteface clown costume or sac worn by Jackie Sloan (1914-1984). Designed by Gérard Vicaire (1927-2018); made by Atelier Vicaire, Paris, ca. 1950 |
Gallery label | Gallery, 2019
Whiteface Clown costume worn by Jackie Sloan (1914-1984)
Jackie Sloan wore this spectacular ‘sac’ at Bertram Mills Circus, but it was made in Paris by Gérard Vicaire (1927-2018) ‘costumier to the stars’. The duo of an immaculately dressed white-face clown and a red-nose Auguste in baggy trousers and oversized shoes was an essential part of 20th century circus.
Linen, cotton, sequins, metal poppers and beads
Designed by Gérard Vicaire, ca.1950
Museum number: S.583-2018
and
Gallery rotation, 2022
COSTUME WORN BY JACKIE SLOAN AS A WHITEFACE CLOWN, CHIPPERFIELD’S AND BERTRAM MILLS’ CIRCUS
1950s–early 1960s
Jackie Sloan commissioned this whiteface clown costume, or ‘sac’, from Gérard Vicaire, the Parisian ‘costumier to the stars’ who specialised in these elegant outfits. The contrast of an immaculately dressed, intelligent and sure-footed whiteface clown with his clumsy companion clown, a red-nosed ‘Auguste’ in baggy trousers and oversized shoes, was a popular comic element of 20th-century circus.
Designed by Gérard Vicaire
Linen, cotton, sequins, metal poppers and beads
Museum no. S.583-2018
(07/11/2019) |
Summary | Although white make-up was used by clowns as early as Grimaldi in the early 1800s, the duo of elegant white-face clown and hobo-style Auguste was a late 19th century development in circus, introduced after Tom Belling Senior (1843-1900) played the lower-class style clown at the Circus Renz in Vienna in the 1870s. This specifically dressed duo is obsolete today but was an essential element of 20th century circus. The more outrageous and stupid the red-nosed Auguste could look in his baggy clothes and oversized shoes the better, in contrast to his sparring partner the elegantly-dressed white-face clown. Jackie Sloan (1914-1984) worked with Chipperfields Circus and Bertram Mills Circus from the early 1950s to the 1960s when he retired due to ill health. Like all white-face clowns he played the elegant and intelligent part of the duo in contract to the rumbunctious and baggily dressed clown, as typified in the 1950s by Coco the clown (Nicolai Poliakoff, 1900-1974), with whom he worked. |
Collection | |
Accession number | S.583-2018 |
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Record created | November 12, 2018 |
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