Enid thumbnail 1
Enid thumbnail 2
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Enid

Bust
1861
Artist/Maker
Place of origin

Parian is a type of porcelain developed in the 1840s that used to produce sculptures on a reduced scale. It was ideally suited to scultpure due to its marble-like appearance, and provided an opportunity for the growing middle classes to express their artistic tastes by acquiring inexpensive sculptures to show in their homes. The question of who first developed the material has long been disputed, however there is now some consensus that it originated at the Spode factory of Copeland and Garrett, where this bust was made.

The success of Parian was largely down to the involvement of the Art Unions, who desired to 'advance civilisation by the improvement of Art', and who regularly commissioned Parian busts and sculptures for their annual distributions of art. This bust of Enid was sculpted by F.M Miller and produced in 1861, sponsored by the Crystal Palace Art Union.

This bust depicts Enid (Oenid) 'The fair and the good'. The character of Enid originally appeared in the Arthurian romantic legend 'Eric and Enide' written by Chrétien de Troye c.1170-90. Here she plays the role of a damsel in distress rescued by Eric. The story reappears later in Tennyson's 'Idylls of the King' under the book 'Enid', although this time the rescuer is Geraint. It is likely to have been this book of poems which inspired the bust.

Object details

Categories
Object type
Parts
This object consists of 2 parts.

  • Bust
  • Stand
TitleEnid
Materials and techniques
Parian porcelain, cast
Brief description
Bust of Enid, from a sculpture by F. Miller, by Copeland and Garrett, 1861
Physical description
Bust in white parian porcelain of a woman, wearing medieval-style dress. On each side of the dress there is a heraldic lion symbol, and in the centre below the clasp there are three fleur de lis. The hair is long and flowing, held by a modest tiara on the head. The sculpture is in good condition although there are signs of natural wear and tear and slight discolouration.
Dimensions
  • Height: 28.4cm
  • Width: 14.2cm
  • Depth: 11.4cm
Marks and inscriptions
ENID F.M MILLER SCULP CRYSTAL PALACE ART UNION
Credit line
Given by Mrs Shirley S. Young
Object history
Bust and stand are thought to have been purchased at the 1862 International Exhibition in London.
Summary
Parian is a type of porcelain developed in the 1840s that used to produce sculptures on a reduced scale. It was ideally suited to scultpure due to its marble-like appearance, and provided an opportunity for the growing middle classes to express their artistic tastes by acquiring inexpensive sculptures to show in their homes. The question of who first developed the material has long been disputed, however there is now some consensus that it originated at the Spode factory of Copeland and Garrett, where this bust was made.

The success of Parian was largely down to the involvement of the Art Unions, who desired to 'advance civilisation by the improvement of Art', and who regularly commissioned Parian busts and sculptures for their annual distributions of art. This bust of Enid was sculpted by F.M Miller and produced in 1861, sponsored by the Crystal Palace Art Union.

This bust depicts Enid (Oenid) 'The fair and the good'. The character of Enid originally appeared in the Arthurian romantic legend 'Eric and Enide' written by Chrétien de Troye c.1170-90. Here she plays the role of a damsel in distress rescued by Eric. The story reappears later in Tennyson's 'Idylls of the King' under the book 'Enid', although this time the rescuer is Geraint. It is likely to have been this book of poems which inspired the bust.
Bibliographic reference
'Parian: Copeland's Statuary Porcelain', Rupert Copeland, 2007, The Antique Collectors' Club, pp. 208-209
Collection
Accession number
C.24:1,2-2018

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Record createdOctober 23, 2018
Record URL
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