Dress
1962 (made)
Artist/Maker | |
Place of origin |
Mary Quant’s designs in the early 1960s often used heavy checked wools and tweeds, taking traditional fabrics sometimes associated with menswear and using them for modern, streamlined dresses for women. She worked with the exaggerated scale of this checked wool coating, placing the bold pattern to emphasise the vertical lines of the body. It is enlivened with quirky, large military style frogging applied at the centre front, exemplifying the irreverent ‘camp’ humour of Quant fashion. This object has additional significance as an example of a coat-dress, a formal garment-type which has now effectively fallen out of use but was ideal for formal out-door occasions and events in chilly buildings before the advent of widespread central heating.
Object details
Categories | |
Object type | |
Brief description | Dress or coat-dress designed by Mary Quant, retailed by Bazaar, 1962. Heavy, large-scale checked wool tweed with frogging. |
Physical description | A dress or coat-dress of wool tweed, white with large check in black. With stand collar and long sleeves, below-knee-length, fastening centre-back with a zip. Three large black silk military style frogging appliquéd to centre front, centred within three of the six large checks down the length of the dress. |
Gallery label |
|
Credit line | Given by the family of the late Philip Pollock |
Summary | Mary Quant’s designs in the early 1960s often used heavy checked wools and tweeds, taking traditional fabrics sometimes associated with menswear and using them for modern, streamlined dresses for women. She worked with the exaggerated scale of this checked wool coating, placing the bold pattern to emphasise the vertical lines of the body. It is enlivened with quirky, large military style frogging applied at the centre front, exemplifying the irreverent ‘camp’ humour of Quant fashion. This object has additional significance as an example of a coat-dress, a formal garment-type which has now effectively fallen out of use but was ideal for formal out-door occasions and events in chilly buildings before the advent of widespread central heating. |
Bibliographic reference | Venetia Pollock wearing the coat-dress at an event documented by Jane Bown published in Tatler, 23 May 1962.
The dress was used for a fashion shoot by John Cowan, for a photograph of model Marie-France wearing a bearskin-inspired hat outside Buckingham Palace, titled ‘Stealing a March on the Guard’, published in Philippe Garner, John Cowan: Through the Light Barrier (1999). |
Collection | |
Accession number | T.286-2019 |
About this object record
Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.
You can write to us to suggest improvements to the record.
Suggest feedback
You can write to us to suggest improvements to the record.
Suggest feedback
Record created | October 16, 2018 |
Record URL |
Download as: JSONIIIF Manifest