Not currently on display at the V&A

Cover

1876 (made)
Artist/Maker
Place of origin

Woven wool and silk twill [probably wool warp and silk weft] embroidered with wool in straight stitches and buttonhole and herringbone stitches.
Dark green ground with one selvedge. There is an embroidered border 7.5 cm deep on all four sides framing the central field which holds a single composite multi-pointed star around a central 9-rayed white and black star, against a red and orange ground and an inner red and yellow central circle. Around this a blue circle framed with red, yellow and black points. In each of the four corners of the central field is a boteh facing towards the centre, holding a single flowering stem in red and yellow against a blue ground. Around this motif is a series of embroidered elongated 'S' and 'Z' forms in red and pink with touches of black, and around the base of the boteh three broken rows of embroidery in red, blue and red with yellow. The border along each of the four sides is a densely packed repeat of two confronting botehs flanking a stylised cypress tree with a series of semi-circular and lobed triangles. A blue stitched edging surmounts this band from which small blue and black botehs face anti-clockwise. At the base a 2.5 cm wide band of densely packed meander of a slender black stem carrying alternately a 7-petalled blue rosette or a blue/red boteh with white details and red highlights. A line of very small red and pale blue 'beads' edge this band.
Embroidery Threads: 2S-plied wool: white, black, red, blue, light blue, pink, deep yellow.


Object details

Category
Object type
Materials and techniques
woollen yarn, silk thread, weaving, embroidering
Brief description
embroidered, 1800s, Persian
Physical description
Woven wool and silk twill [probably wool warp and silk weft] embroidered with wool in straight stitches and buttonhole and herringbone stitches.
Dark green ground with one selvedge. There is an embroidered border 7.5 cm deep on all four sides framing the central field which holds a single composite multi-pointed star around a central 9-rayed white and black star, against a red and orange ground and an inner red and yellow central circle. Around this a blue circle framed with red, yellow and black points. In each of the four corners of the central field is a boteh facing towards the centre, holding a single flowering stem in red and yellow against a blue ground. Around this motif is a series of embroidered elongated 'S' and 'Z' forms in red and pink with touches of black, and around the base of the boteh three broken rows of embroidery in red, blue and red with yellow. The border along each of the four sides is a densely packed repeat of two confronting botehs flanking a stylised cypress tree with a series of semi-circular and lobed triangles. A blue stitched edging surmounts this band from which small blue and black botehs face anti-clockwise. At the base a 2.5 cm wide band of densely packed meander of a slender black stem carrying alternately a 7-petalled blue rosette or a blue/red boteh with white details and red highlights. A line of very small red and pale blue 'beads' edge this band.
Embroidery Threads: 2S-plied wool: white, black, red, blue, light blue, pink, deep yellow.
Dimensions
  • Length: 73.5cm
  • Width: 54cm
Marks and inscriptions
(Inscription: on the reverse, 27 cm up from the museum number: small ink inscription of two words.)
Object history
In 1877, Nasruddin Shah, the Qajar ruler of Iran, approved a donation of contemporary textiles and carpets to the South Kensington Museum. Organised via Robert Murdoch Smith and Qajar minister Emin al-Mulk, the donation consisted of 14 carpets and 60 other examples of textiles, and was directly intended to advertise Iran's textile industry to British consumers. The accompanying letter to the Museum's Lords of Committee outlined the strategy "We have no doubt whatever that the English Nation has always viewed our manufactures in a kind and friendly manner; and although the Persian Arts have not attained a high rank, nevertheless they have been viewed with a friendly eye and examined in a partial spirit. Such being the case, H.I.M. the Shah resolved that a small quantity of the produce of this country - manufactures by Persian workmen of the present day - should be presented to the said Museum."
Production
Iran; Kerman
Bibliographic reference
Moya Carey, Persian Art. Collecting the Arts of Iran for the V&A, London, 2017, p.128.
Collection
Accession number
873-1877

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Record createdFebruary 26, 2008
Record URL
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