Valentine
Typewriter
1969 (designed)
1969 (designed)
Artist/Maker | |
Place of origin |
The Valentine, created for the Italian brand Olivetti, was designed in collaboration with the British designer, Perry King and entered production in 1969. It was not a commercial success. The Valentine was technically mediocre, expensive and failed to sell to a mass audience, yet still became a design classic. Valentines can be found in the permanent collections of London's Design Museum and New York's, Museum of Modern Art as well as the V&A. The product's critical success was unhindered by its functional limitations because its design focused on its emotional connection to users as it did on its practical ease of use.
Object details
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Object type | |
Parts | This object consists of 2 parts.
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Title | Valentine (manufacturer's title) |
Materials and techniques | Metal and ABS plastic |
Brief description | Olivetti Valentine Typewriter, designed by Ettor Sottsass and Perry King for Olivetti, Milan, made in Spain, ca.1969. |
Physical description | Typewriter: the typewriter has a red plastic casing and a standard QWERTY keyboard with keys made of black plastic with white lettering. Front strike metal arms and typeface with fabric typing ribbon with both red and black ink. Orange plastic ribbon spool holders, black rubber roller and silver metal return arm and paper guide. Four black rubber feet on bottom, red plastic swing handle at back of typewriter. Raised lettering in plastic along front: 'valentine' and along back right edge: 'olivetti'. Raised lettering at back of typewriter: 'made in Barcelona, Spain'. Case: the casing is made of red slightly textured plastic. It is rectangular in shape with rounded edges and an opening at one end. The typewriter slips into the case and locks into place by way of two black rubber tabs on either side of the opening. |
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Summary | The Valentine, created for the Italian brand Olivetti, was designed in collaboration with the British designer, Perry King and entered production in 1969. It was not a commercial success. The Valentine was technically mediocre, expensive and failed to sell to a mass audience, yet still became a design classic. Valentines can be found in the permanent collections of London's Design Museum and New York's, Museum of Modern Art as well as the V&A. The product's critical success was unhindered by its functional limitations because its design focused on its emotional connection to users as it did on its practical ease of use. |
Collection | |
Accession number | M.24:1,2-1993 |
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Record created | February 25, 2008 |
Record URL |
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