La Conica
Coffee Maker
1982 (designed), 1984 (made)
1982 (designed), 1984 (made)
Artist/Maker | |
Place of origin |
Aldo Rossi, (born May 3, 1931, Milan, Italy—died September 4, 1997, Milan), Italian architect and theoretician who advocated the use of a limited range of building types and concern for the context in which a building is constructed. This postmodern approach, known as neorationalism, represents a reinvigoration of austere classicism. In addition to his built work, he is known for his writings, numerous drawings and paintings, and designs for furniture and other objects.
Object details
Categories | |
Object type | |
Parts | This object consists of 4 parts.
|
Title | La Conica (manufacturer's title) |
Materials and techniques | Stainless steel, copper and rubber |
Brief description | Coffee maker, La Conica, stainless steel and copper, Italy, Crusinallo, made by Alessi, 1983, designed by Aldo Rossi. |
Physical description | Coffee maker, stainless steel, a copper base and an internal rubber seal. The body, composed of two plain cylinders connected by a screw thread. The lower reservoir rests on a base which is a copper disc, slightly greater in diameter than that of the body. The internal coffee container is a shallow cup with a perforated base, conical underside from which extends a narrow tube. The side wall has a safety valve. The upper reservoir has an internal tube, rising from the centre with a rectangular aperture at the top, a small `V' shaped spout and a handle, an inverted `L' shaped strip of metal. The detachable lid, a plain cone with an internal flange, surmounted by a spherical knop. |
Dimensions |
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Style | |
Production type | Mass produced |
Marks and inscriptions | OFFICINA / ALESSI / INOX18/10 / ITALY (Stamped on the base.) |
Credit line | Given by the manufacturer |
Object history | Given by Alessi through their British agents, Penhallow Marketing Ltd, Sheffield. |
Summary | Aldo Rossi, (born May 3, 1931, Milan, Italy—died September 4, 1997, Milan), Italian architect and theoretician who advocated the use of a limited range of building types and concern for the context in which a building is constructed. This postmodern approach, known as neorationalism, represents a reinvigoration of austere classicism. In addition to his built work, he is known for his writings, numerous drawings and paintings, and designs for furniture and other objects. |
Collection | |
Accession number | M.5 to C-1990 |
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Record created | February 25, 2008 |
Record URL |
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