Petra
Watercolour
1858 (painted)
1858 (painted)
Artist/Maker | |
Place of origin |
Despite insecurity, epilepsy and ill-health, Lear was one of the most intrepid of nineteenth-century artist-travellers. He spent most of his adult life abroad, living for many years in Rome and Corfu, and travelling from there to other parts of Italy, Greece, Albania and the rest of Europe, as well as to the Near East on several occasions. At the age of sixty he toured India and Ceylon. Of the many dangers and hardships he endured on his travels, Lear's experiences at Petra were especially taxing. The day after he arrived there, on 13 April 1858, the local tribesmen who had gathered around his party demanded payment, and when they threatened violence he was forced to make a quick getaway, though not before he was robbed of 'everything from all my pockets, from dollars and penknives to handkerchiefs and hard-boiled eggs'.
Astonishingly, he had already made several sketches, responding in typically individual manner to Petra's extraordinary combination of impressive ruins and dramatic landscape: 'All the cliffs are of a wonderful colour - like ham in stripes; & parts are salmon colour', he wrote to his sister Ann. He made drawings from various viewpoints, including the one exhibited here from 'one of the higher terraces where a mass of fallen columns lies in profuse confusion, not unlike the ruins of the Sicilian Selinunti'. The figure beside the broken columns may well be Feragh, the black slave lent to Lear for the visit by a local shaykh.
Astonishingly, he had already made several sketches, responding in typically individual manner to Petra's extraordinary combination of impressive ruins and dramatic landscape: 'All the cliffs are of a wonderful colour - like ham in stripes; & parts are salmon colour', he wrote to his sister Ann. He made drawings from various viewpoints, including the one exhibited here from 'one of the higher terraces where a mass of fallen columns lies in profuse confusion, not unlike the ruins of the Sicilian Selinunti'. The figure beside the broken columns may well be Feragh, the black slave lent to Lear for the visit by a local shaykh.
Object details
Category | |
Object type | |
Title | Petra (assigned by artist) |
Materials and techniques | Pen and brown ink over pencil, watercolour heightened with white |
Brief description | Watercolour, `Petra', 1858, by Edward Lear |
Physical description | Watercolour drawing |
Dimensions |
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Styles | |
Marks and inscriptions | Inscribed with title and date 13.Apl.1858, and numbered (41); inscribed twice see Selinuntiun and with further notes |
Credit line | Purchased with the assistance of the National Heritage Memorial Fund, Art Fund, Shell International and the Friends of the V&A |
Object history | According to Rodney Searight: - `Bt Sotheby's, July 23rd 1970, £120 '. |
Historical context | Lear arrived at Petra on 13 April 1858. According to his journal he made sketches from several viewpoints that day including `one of the higher terraces where a mass of fallen columns lies in profuse confusion, not unlike the ruins of Sicilian Selinunti': see `A Leaf from the Journals of a Landscape Painter' in H. van Thal, ed., Edward Lear's Journals: A Selection, 1952, p.246. See also RA, 1985 (25a). Compare. a sketch drawn later the same day, numbered 43, sold Sotheby's 19.3.81 (183). B. Llewellyn, `Petra and the Middle East by British artists in the collection of Rodney Searight, Esq.', The Connoisseur, June 1980, pp.124-5. |
Places depicted | |
Summary | Despite insecurity, epilepsy and ill-health, Lear was one of the most intrepid of nineteenth-century artist-travellers. He spent most of his adult life abroad, living for many years in Rome and Corfu, and travelling from there to other parts of Italy, Greece, Albania and the rest of Europe, as well as to the Near East on several occasions. At the age of sixty he toured India and Ceylon. Of the many dangers and hardships he endured on his travels, Lear's experiences at Petra were especially taxing. The day after he arrived there, on 13 April 1858, the local tribesmen who had gathered around his party demanded payment, and when they threatened violence he was forced to make a quick getaway, though not before he was robbed of 'everything from all my pockets, from dollars and penknives to handkerchiefs and hard-boiled eggs'. Astonishingly, he had already made several sketches, responding in typically individual manner to Petra's extraordinary combination of impressive ruins and dramatic landscape: 'All the cliffs are of a wonderful colour - like ham in stripes; & parts are salmon colour', he wrote to his sister Ann. He made drawings from various viewpoints, including the one exhibited here from 'one of the higher terraces where a mass of fallen columns lies in profuse confusion, not unlike the ruins of the Sicilian Selinunti'. The figure beside the broken columns may well be Feragh, the black slave lent to Lear for the visit by a local shaykh. |
Bibliographic references |
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Collection | |
Accession number | SD.562 |
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Record created | February 24, 2008 |
Record URL |
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