Light Fitting
1880-1915 (made)
Artist/Maker | |
Place of origin |
William Arthur Smith Benson (1858-1924) was born in London and educated at Winchester and Oxford. Benson was first articled to the office of Basil Champneys until 1880. Through his friendship with the Pre-Raphaelite artist, Edward Burne-Jones, he met William Morris, whom he had long admired and was inspired to set up a workshop for the manufacture of metalwork in 1880. He later opened a well equipped factory in Hammersmith and in about 1887, a shop in Bond Street.; the firm survived until he retired in 1920. Benson was an active member of the Art Worker’s Guild from 1884, a leader in the formation of the Arts and Crafts Exhibition Society from 1886 and wrote an essay on metalwork in the catalogue of the first exhibition in 1888. On Morris’s death in 1896Benson became chairman of Morris & Co. for whom he designed furniture and wallpapers. In 1914, he was a founder member of the Design and Industries Association.
Benson’s firm produced some simple furniture but his great output consisted in well designed utilitarian metalwork, usually in copper and brass but sometimes in electroplate, including lamps, teapots, food warmers etc. Benson had always been interested in engineering and, unlike so many of his Arts & Crafts contemporaries, had little compunction about the use of the machine.
Benson’s firm produced some simple furniture but his great output consisted in well designed utilitarian metalwork, usually in copper and brass but sometimes in electroplate, including lamps, teapots, food warmers etc. Benson had always been interested in engineering and, unlike so many of his Arts & Crafts contemporaries, had little compunction about the use of the machine.
Object details
Categories | |
Object type | |
Parts | This object consists of 4 parts.
|
Materials and techniques | Copper, brass and glass |
Brief description | Electrolier, three light, copper, brass and glass, London, 1880-1915, made by W.A.S. Benson & Co. |
Physical description | Three light electrolier of brass, copper and opalescent glass. The central shaft, a copper tube, terminating in a moulded tip and fixed to the ceiling by a brass rose with stepped mouldings. A stepped, moulded circular knop is fixed half-way down the shaft. The lower part of the shaft is embellished with three flat strips of brass attached by screws to the main shaft which curve outwards, returning inwards and ending is a wavy line. From the base, three curved brass branches sprout upwards terminating with moulded and leaf decoration, a spiral stamen and a curved hook. The three curved branches of hollow brass tubing rise from the base hold the lamps and are supported by flat strip, curved scrollwork. The junction with the shaft is concealed by brass leaf decoration. The glass shades are held in trumpet shaped holders and are retained by screws in a deep flange. The glass shades, of opalescent, veined glass in a teardrop shape with a bulbous knop and concave rims. |
Dimensions |
|
Style | |
Production type | Mass produced |
Credit line | Given by Ian and Rita Smythe |
Subjects depicted | |
Summary | William Arthur Smith Benson (1858-1924) was born in London and educated at Winchester and Oxford. Benson was first articled to the office of Basil Champneys until 1880. Through his friendship with the Pre-Raphaelite artist, Edward Burne-Jones, he met William Morris, whom he had long admired and was inspired to set up a workshop for the manufacture of metalwork in 1880. He later opened a well equipped factory in Hammersmith and in about 1887, a shop in Bond Street.; the firm survived until he retired in 1920. Benson was an active member of the Art Worker’s Guild from 1884, a leader in the formation of the Arts and Crafts Exhibition Society from 1886 and wrote an essay on metalwork in the catalogue of the first exhibition in 1888. On Morris’s death in 1896Benson became chairman of Morris & Co. for whom he designed furniture and wallpapers. In 1914, he was a founder member of the Design and Industries Association. Benson’s firm produced some simple furniture but his great output consisted in well designed utilitarian metalwork, usually in copper and brass but sometimes in electroplate, including lamps, teapots, food warmers etc. Benson had always been interested in engineering and, unlike so many of his Arts & Crafts contemporaries, had little compunction about the use of the machine. |
Bibliographic references |
|
Collection | |
Accession number | M.25:1 to 4-2018 |
About this object record
Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.
You can write to us to suggest improvements to the record.
Suggest feedback
You can write to us to suggest improvements to the record.
Suggest feedback
Record created | September 5, 2018 |
Record URL |
Download as: JSON