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Image of Gallery in South Kensington
On display at V&A South Kensington
Jewellery, Rooms 91, The William and Judith Bollinger Gallery

Kamikase

Cuff Bracelet
1994 (made)
Artist/Maker
Place of origin

This piece is part of the Royal College of Art Visiting Artists Collection. Every year from 1987 to 2006, while David Watkins was Professor of Goldsmithing, Silversmithing, Metalwork and Jewellery at the RCA, he invited four jewellers and silversmiths from outside Britain to give a week-long masterclass. The artists brought diverse skills, aesthetics and approaches. The first call on their time was to interact closely with the students. In addition, although concentrating on their teaching and working in an unfamiliar studio, each artist generously made an object for the RCA's collection. The Royal College of Art Visiting Artists Collection, now transferred to the V&A, is a major document of international contemporary jewellery, a tribute both to the artists and to the vibrancy of the RCA as a teaching institution.

In common with artists working across a wide range of media, jewellers may set out to convey or provoke human emotions. Their works reaches beyond the figurative to the philosophical.

Bernhard Schobinger's cuff bracelet, with its gashed and scarred surface and bruise-like patination, conveys violence with a chilling intensity, alluding to its title 'Kamikase'. It was forged with a hand axe from a 1 kg ingot of silver.

Schobinger began his career in Zurich with geometric-style jewellery, but early on he challenged the craft of goldsmithing. By the late seventies he made jewellery with found objects, which he still uses today. These objects are often from everyday life and in his work convey a deeper meaning. The messages are often highly critical of society today, historical or current political events, and issues of our times. His work is generally sculptural and provocative.


Object details

Categories
Object type
TitleKamikase (assigned by artist)
Materials and techniques
Silver, forged with a hand-axe from a 1kg lingot
Brief description
England, London, 1994; designed and made by Bernhard Schobinger (Switzerland, born 1946), silver, forged with a hand-axe from a 1kg ingot.
Physical description
Deep cuff bracelet made from a single thick piece of silver, the edges almost meeting at the back. The surface has a dark patination and is covered with random chisel marks, and gashes at the back and in a circular formation at the front.
Dimensions
  • Height: 9.5cm
  • Width: 7.7cm
  • Depth: 6.9cm
Marks and inscriptions
'R.C.A. KAMIKASE AG 1kg'
Credit line
Royal College of Art Visiting Artists Collection
Production
Made while leading a masterclass at the RCA
Subject depicted
Summary
This piece is part of the Royal College of Art Visiting Artists Collection. Every year from 1987 to 2006, while David Watkins was Professor of Goldsmithing, Silversmithing, Metalwork and Jewellery at the RCA, he invited four jewellers and silversmiths from outside Britain to give a week-long masterclass. The artists brought diverse skills, aesthetics and approaches. The first call on their time was to interact closely with the students. In addition, although concentrating on their teaching and working in an unfamiliar studio, each artist generously made an object for the RCA's collection. The Royal College of Art Visiting Artists Collection, now transferred to the V&A, is a major document of international contemporary jewellery, a tribute both to the artists and to the vibrancy of the RCA as a teaching institution.

In common with artists working across a wide range of media, jewellers may set out to convey or provoke human emotions. Their works reaches beyond the figurative to the philosophical.

Bernhard Schobinger's cuff bracelet, with its gashed and scarred surface and bruise-like patination, conveys violence with a chilling intensity, alluding to its title 'Kamikase'. It was forged with a hand axe from a 1 kg ingot of silver.

Schobinger began his career in Zurich with geometric-style jewellery, but early on he challenged the craft of goldsmithing. By the late seventies he made jewellery with found objects, which he still uses today. These objects are often from everyday life and in his work convey a deeper meaning. The messages are often highly critical of society today, historical or current political events, and issues of our times. His work is generally sculptural and provocative.
Bibliographic references
  • Barbara Cartlidge, Twentieth Century Jewelry, New York 1985
  • David Watkins, The Best in Contemporary Jewellery, London 1993
  • Helen W. Drutt English/ Peter Dormer, Jewelry of our time, London 1995
  • Antoinette Riklin-Scheibert, Schmuckzeichen Schweiz 20. Jahrhundert, 20th century Swiss Art Jewelry, St. Gallen 1999
  • The Ego Adorned, 20th Century Artist Jewellery, Antwerp 2000
  • ornament as art, Avant-garde jewelry from the Helen Williams Drutt Collection, The Museum of Fine Arts, Houston, Stuttgart 2007
  • Roger Fayet/ Florian Hufnagel (eds.),Bernhard Schobinger, Jewels Now, Stuttgart 2003
Collection
Accession number
M.43-2007

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Record createdFebruary 15, 2008
Record URL
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