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Untitled. From the suite 'Ten Prints by Ten Painters'

Print
1964 (made)
Artist/Maker
Place of origin

The American painter and sculptor, Frank Stella, has been one of the most influential exponents of Minimalism, the movement in painting and sculpture which developed in the 1960s as a reaction to the so called excesses of Abstract Expressionism. Its exponents sought to emphasise the nature of the materials from which their painting or sculpture was created and to reduce colour, line and form to a series of simple geometric arrangements. Although Stella’s work from the 1970s onward shifted away from this earlier precision and clarity on flat surfaces, his early contributions to Minimalism were seminal, with patterns of angled, parallel stripes, often in arrangements of black and white, which emphasised the shape of the canvas. He later painted on irregularly shaped canvases. Born in 1936, he was still a young man in 1964 when he contributed to this portfolio. He was to become an active exponent of printmaking and produced many works with Ken Tyler of Gemini, one of the leading print studios in the USA from the 1960s onward.

Object details

Category
Object type
TitleUntitled. From the suite 'Ten Prints by Ten Painters'
Materials and techniques
Colour screenprint on paper
Brief description
Frank Stella. untitled screenprint from the portfolio 'Ten Works by Ten Painters' published by the Wadsworth Atheneum, 1964.
Physical description
practically square image. On the left, lines in alternating yellow and blue arranged vertically; on the right ditto, but horizontal.
Dimensions
  • Printed surface height: 45.6cm
  • Printed surface width: 45.5cm
Styles
Production typeLimited edition
Copy number
67/500
Marks and inscriptions
blind stamp (printers' chop mark, lower right corner)
Credit line
Acquired from Peter Tunnard in 1969.
Production
Sirocco printed under the supervision of Ives-Sillman.
Summary
The American painter and sculptor, Frank Stella, has been one of the most influential exponents of Minimalism, the movement in painting and sculpture which developed in the 1960s as a reaction to the so called excesses of Abstract Expressionism. Its exponents sought to emphasise the nature of the materials from which their painting or sculpture was created and to reduce colour, line and form to a series of simple geometric arrangements. Although Stella’s work from the 1970s onward shifted away from this earlier precision and clarity on flat surfaces, his early contributions to Minimalism were seminal, with patterns of angled, parallel stripes, often in arrangements of black and white, which emphasised the shape of the canvas. He later painted on irregularly shaped canvases. Born in 1936, he was still a young man in 1964 when he contributed to this portfolio. He was to become an active exponent of printmaking and produced many works with Ken Tyler of Gemini, one of the leading print studios in the USA from the 1960s onward.
Associated objects
Bibliographic references
  • Museum of Modern Art New York: 'American Prints in theCollection of The Museum of Modern Art 1960-1985. NJ, 1986
  • Taken from Departmental Circulation Register 1969
Collection
Accession number
CIRC.531-1969

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Record createdFebruary 15, 2008
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