Necklace
1990-1991 (made)
Artist/Maker | |
Place of origin |
Archaic forms led by the basic techniques of metalworking are appealing in their primitive appearance and direct expression. Tooling marks remaining on the surface of the metal are evidence of the creative process. Forms resulting from the instinctive blows of the hammer are simple and honest. These specifically hand-wrought jewels reflect the natural qualities of the materials from which they are made. Even though these artists were inspired by ancient cultures, their jewels are thoroughly individual and modern in style.
Breon O’Casey has been successful as a painter, sculptor, etcher and printmaker. He became particularly interested in jewellery in 1960 after having seen some illustrations of jewellery by Alexander Calder. His Celtic background was a source of inspiration, as was the work of Barbara Hepworth, who taught him how to carve, and the sculptor Denis Mitchell. He was studio apprentice to both at the St. Ives School.
The simplicity of O’Casey’s necklace gives a primitive sense, yet the design feels modern. Breon O’Casey was fascinated by ancient and ethnic cultures.
Breon O’Casey has been successful as a painter, sculptor, etcher and printmaker. He became particularly interested in jewellery in 1960 after having seen some illustrations of jewellery by Alexander Calder. His Celtic background was a source of inspiration, as was the work of Barbara Hepworth, who taught him how to carve, and the sculptor Denis Mitchell. He was studio apprentice to both at the St. Ives School.
The simplicity of O’Casey’s necklace gives a primitive sense, yet the design feels modern. Breon O’Casey was fascinated by ancient and ethnic cultures.
Object details
Categories | |
Object type | |
Materials and techniques | Coral, gold and carnelian |
Brief description | Coral, gold and carnelian necklace. Designed and made by Breon O'Casey. Made in England in 1990-1 |
Dimensions |
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Credit line | Given by Helen Drutt English |
Summary | Archaic forms led by the basic techniques of metalworking are appealing in their primitive appearance and direct expression. Tooling marks remaining on the surface of the metal are evidence of the creative process. Forms resulting from the instinctive blows of the hammer are simple and honest. These specifically hand-wrought jewels reflect the natural qualities of the materials from which they are made. Even though these artists were inspired by ancient cultures, their jewels are thoroughly individual and modern in style. Breon O’Casey has been successful as a painter, sculptor, etcher and printmaker. He became particularly interested in jewellery in 1960 after having seen some illustrations of jewellery by Alexander Calder. His Celtic background was a source of inspiration, as was the work of Barbara Hepworth, who taught him how to carve, and the sculptor Denis Mitchell. He was studio apprentice to both at the St. Ives School. The simplicity of O’Casey’s necklace gives a primitive sense, yet the design feels modern. Breon O’Casey was fascinated by ancient and ethnic cultures. |
Bibliographic references |
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Collection | |
Accession number | M.1-1996 |
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Record created | February 14, 2008 |
Record URL |
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