Image of Gallery in South Kensington
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Stonehenge Trilithon (13) on the left of Altar Stone

Photograph
1867 (printed)
Artist/Maker
Place of origin

Photograph of a man standing next to a Trilithon at Stonehenge

Object details

Categories
Object type
TitleStonehenge Trilithon (13) on the left of Altar Stone (assigned by artist)
Materials and techniques
Half-tone photozincograph (collochromatic method)
Brief description
Major General James Waterhouse, 'Stonehenge, Trilithon (13) on the left of Altar Stone', half-tone photozincograph for the Ordnance Survey Office Southampton under the soprintendence of Captain Parsons R.E:FRAS. Colonel Sir Henry James R.E:F.R.S: & C. Director. 1867.
Physical description
Photograph of a man standing next to a Trilithon at Stonehenge
Dimensions
  • Image height: 26cm
  • Image width: 9cm
  • Sheet height: 35cm
  • Sheet width: 26cm
Marks and inscriptions
STONEHENGE. TRILITHON (13) ON THE LEFT OF ALTAR STONE. Photozincographed at the ORDNANCE SURVEY OFFICE SOUTHAMPTON under the Suprintendence of Captain Parsons R.E:F.R.A.S. Colonel Sir henry James R.E: F.R.S: &C. Director. 1867 (Printed in lower center)
Credit line
Given by Major General James John Waterhouse, 1905
Object history
This object was donated by Major General James John Waterhouse to the V&A on the occasion of the exhibition 'Loan Exhibition of Process Engraving' at the V&A in 1905
Historical context
This print is a very early example of experimental photomechanical process.. James Waterhouse, who made the print, was a career soldier who made significant contributions in a number of technical and historical areas of photography. In 1882 he developed a heliogravure technique for producing half-tone prints. In 1887he introduced a photo-etching process that was a great improvement over photo-collotype because it had greater resistance to variations in temperature and humidity, and could make far more impressions. In 1893 he published a paper on the effect of light on silver salt and devoted the 1899 Trail Taylor Memorial Lecture to an analysis of the daguerreotype process and lessons it held concerning the action of light on silver haolid compounds. During his retirement, Waterhouse engaged more in historical research, but always with an eye on contemporary relevance.
Place depicted
Bibliographic reference
Catalogue of the loan exhibition of process engraving : held at the Victoria and Albert Museum, South Kensington, 1905, London : Printed for H.M.S.O., by Wyman and Sons, 1905
Collection
Accession number
E.5577-1905

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Record createdFebruary 13, 2008
Record URL
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