Stonehenge Trilithon (13) on the left of Altar Stone
Photograph
1867 (printed)
1867 (printed)
Artist/Maker | |
Place of origin |
Photograph of a man standing next to a Trilithon at Stonehenge
Object details
Categories | |
Object type | |
Title | Stonehenge Trilithon (13) on the left of Altar Stone (assigned by artist) |
Materials and techniques | Half-tone photozincograph (collochromatic method) |
Brief description | Major General James Waterhouse, 'Stonehenge, Trilithon (13) on the left of Altar Stone', half-tone photozincograph for the Ordnance Survey Office Southampton under the soprintendence of Captain Parsons R.E:FRAS. Colonel Sir Henry James R.E:F.R.S: & C. Director. 1867. |
Physical description | Photograph of a man standing next to a Trilithon at Stonehenge |
Dimensions |
|
Marks and inscriptions | STONEHENGE.
TRILITHON (13) ON THE LEFT OF ALTAR STONE.
Photozincographed at the ORDNANCE SURVEY OFFICE SOUTHAMPTON under the Suprintendence of Captain Parsons R.E:F.R.A.S. Colonel Sir henry James R.E: F.R.S: &C. Director. 1867 (Printed in lower center) |
Credit line | Given by Major General James John Waterhouse, 1905 |
Object history | This object was donated by Major General James John Waterhouse to the V&A on the occasion of the exhibition 'Loan Exhibition of Process Engraving' at the V&A in 1905 |
Historical context | This print is a very early example of experimental photomechanical process.. James Waterhouse, who made the print, was a career soldier who made significant contributions in a number of technical and historical areas of photography. In 1882 he developed a heliogravure technique for producing half-tone prints. In 1887he introduced a photo-etching process that was a great improvement over photo-collotype because it had greater resistance to variations in temperature and humidity, and could make far more impressions. In 1893 he published a paper on the effect of light on silver salt and devoted the 1899 Trail Taylor Memorial Lecture to an analysis of the daguerreotype process and lessons it held concerning the action of light on silver haolid compounds. During his retirement, Waterhouse engaged more in historical research, but always with an eye on contemporary relevance. |
Place depicted | |
Bibliographic reference | Catalogue of the loan exhibition of process engraving : held at the Victoria and Albert Museum, South Kensington, 1905, London : Printed for H.M.S.O., by Wyman and Sons, 1905 |
Collection | |
Accession number | E.5577-1905 |
About this object record
Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.
You can write to us to suggest improvements to the record.
Suggest feedback
You can write to us to suggest improvements to the record.
Suggest feedback
Record created | February 13, 2008 |
Record URL |
Download as: JSONIIIF Manifest