Not currently on display at the V&A

Paddington Printshop poster

Poster
1976 (printed)
Artist/Maker
Place of origin

In 1974, a group of artists and designers opened Paddington Printshop in an old factory in north west London. The collective produced posters in support of international causes, such as the anti-apartheid movement, but specialised in promoting community events and campaigns, particularly housing issues. Posters supported squatters’ rights and named and shamed local councils, highlighting neglected property and attempts to sell housing stock to private developers. “The style was fairly eclectic,” said Printshop founder John Phillips. “We wanted to help people express themselves or find a form of expression for the campaign that was appropriate.” Inspiration for the designs came from a range of sources, including the work of Japanese and Cuban artists, and from Pop Art. The Printshop operated throughout the 1970s and 1980s but changing technology, notably the development of photocopying, brought about its formal closure in 1991.


Object details

Category
Object type
TitlePaddington Printshop poster (generic title)
Materials and techniques
Printing ink on paper
Brief description
Poster produced by Paddington Printshop, 'The streets belong to the people Keep carnival in the streets'
Physical description
Poster, printed with the words, 'The streets belong to the PEOPLE / Keep CARNIVAL in the streets', in black lettering on a yellow background in the lower section. In the upper section of the poster, on a purple background, a smiling face beneath a drawing of a high headdress of carnival masks. Below the face, a multi-sided 'ruff' in pale blue and white with images in white triangle at each edge, the triangles all edged in red.
Dimensions
  • Height: 75.8cm
  • Width: 51.3cm
Credit line
Given by the American Friends of the V&A through the generosity of Johan Kugelberg
Summary
In 1974, a group of artists and designers opened Paddington Printshop in an old factory in north west London. The collective produced posters in support of international causes, such as the anti-apartheid movement, but specialised in promoting community events and campaigns, particularly housing issues. Posters supported squatters’ rights and named and shamed local councils, highlighting neglected property and attempts to sell housing stock to private developers. “The style was fairly eclectic,” said Printshop founder John Phillips. “We wanted to help people express themselves or find a form of expression for the campaign that was appropriate.” Inspiration for the designs came from a range of sources, including the work of Japanese and Cuban artists, and from Pop Art. The Printshop operated throughout the 1970s and 1980s but changing technology, notably the development of photocopying, brought about its formal closure in 1991.
Collection
Accession number
S.323-2021

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Record createdJuly 8, 2018
Record URL
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