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Print

1860-1890 (Printed and published)
Artist/Maker
Place of origin

In art history, a black madonna is a painting or sculpture depicting the Virgin Mary with dark or black skin, created in Europe in the late Medieval period. Some are made of dark or black materials such as ebony, others are said to have become blackened from the soot of candles, although this explanation and the significance of the Virgin's skin colour is contested. There are several hundred black madonnas in Europe and the topic has attracted a considerable literature in recent decades approaching the subject from anthropological, art historical, feminist, psychoanalytical and Afrocentric perspectives.

The Abbey of Einsiedeln is a Benedictine monastery dedicated to Our Lady of the Hermits and located in the village of Einsiedeln twenty miles southeast of Zurich. According to 9th and 14th-century sources, the hermit St Meinrad (d. 861) was especially devoted to the Virgin and was given a miracle-working statue of the Virgin and Child by Abbess Hildegard of Zurich around which he built a chapel. Following his murder, a church was built over this chapel. The new church was dedicated but not the chapel. In 948 Conrad of Constance was praying in the chapel when he witnessed Christ and the angels performing the dedication rites. A papal bull of 11th November 966 allowed the celebration of the anniversary of this miracle and granted remission of sins to pilgrims to the shrine. This 19th-century holy card would have been published for sale to pilgrims as a souvenir.

Object details

Category
Object type
Materials and techniques
Lithography and albumen print on paper with embossing, gilding, die-cutting and piercing.
Brief description
Benziger & Co. Holy card souvenir of Our Lady of Einsiedeln, Switzerland, 19th century.
Physical description
Rectangular holy card (portrait format) printed in colour, with embossing, gilding and scalloped edges. Front: small oval b&w photograph of a print or drawing of Our Lady of Einsiedeln within a cloud issuing rays and thunderbolts above a view of the abbey and square with pilgrims, 'tipped on' within a gold embossed oval frame in the upper right area of the card, surrounded below and to the left by a spray of roses intertwined with a white ribbon banner lettered in black gothic script, printed in colour and embossed, the whole design within a thin gold rectangular outline bordered by scalloped edges of white lace paper. Back: lettered within the oval with a German prayer to the Virgin Mary printed in black gothic script.
Dimensions
  • Height: 8.5cm
  • Width: 6cm
Content description
Our Lady of Einsiedeln and a view of the abbey and square with pilgrims.
Production typeMass produced
Marks and inscriptions
Zur Erinnerung. (Lettered within the design, printed in black gothic script)
Credit line
Given by Tim Travis in memory of Leslie Travis
Subjects depicted
Place depicted
Summary
In art history, a black madonna is a painting or sculpture depicting the Virgin Mary with dark or black skin, created in Europe in the late Medieval period. Some are made of dark or black materials such as ebony, others are said to have become blackened from the soot of candles, although this explanation and the significance of the Virgin's skin colour is contested. There are several hundred black madonnas in Europe and the topic has attracted a considerable literature in recent decades approaching the subject from anthropological, art historical, feminist, psychoanalytical and Afrocentric perspectives.

The Abbey of Einsiedeln is a Benedictine monastery dedicated to Our Lady of the Hermits and located in the village of Einsiedeln twenty miles southeast of Zurich. According to 9th and 14th-century sources, the hermit St Meinrad (d. 861) was especially devoted to the Virgin and was given a miracle-working statue of the Virgin and Child by Abbess Hildegard of Zurich around which he built a chapel. Following his murder, a church was built over this chapel. The new church was dedicated but not the chapel. In 948 Conrad of Constance was praying in the chapel when he witnessed Christ and the angels performing the dedication rites. A papal bull of 11th November 966 allowed the celebration of the anniversary of this miracle and granted remission of sins to pilgrims to the shrine. This 19th-century holy card would have been published for sale to pilgrims as a souvenir.
Collection
Accession number
E.502-2018

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Record createdJune 20, 2018
Record URL
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