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1870-1890 (Printed and published)
Artist/Maker
Place of origin

In art history, a black madonna is a painting or sculpture depicting the Virgin Mary with dark or black skin, created in Europe in the late Medieval period. Some are made of dark or black materials such as ebony, others are said to have become blackened from the soot of candles, although this explanation and the significance of the Virgin's skin colour is contested. There are several hundred black madonnas in Europe and the topic has attracted a considerable literature in recent decades approaching the subject from anthropological, art historical, feminist, psychoanalytical and Afrocentric perspectives.

The Abbey of Einsiedeln is a Benedictine monastery dedicated to Our Lady of the Hermits and located in the village of Einsiedeln twenty miles southeast of Zurich. According to 9th and 14th-century sources, the hermit St Meinrad (d. 861) was especially devoted to the Virgin and was given a miracle-working statue of the Virgin and Child by Abbess Hildegard of Zurich around which he built a chapel. Following his murder, a church was built over this chapel. The new church was dedicated but not the chapel. In 948 Conrad of Constance was praying in the chapel when he witnessed Christ and the angels performing the dedication rites. A papal bull of 11th November 966 allowed the celebration of the anniversary of this miracle and granted remission of sins to pilgrims to the shrine. This holy card would have been published for sale to pilgrims as a souvenir of the shrine.

Object details

Category
Object type
Materials and techniques
Lithography, embossing, gilding and piercing
Brief description
Souvenir of Our Lady of Einsiedeln, Switzerland, late 19th century.
Physical description
Rectangular card with shaped lace-paper edge. Front: black & white printed illustration of Our Lady of Einsiedeln above a view of Einsiedeln Abbey, against a yellow background within a keyhole shape, lettered within the image SANCTA MARIA EISIEDELNSIS, lace-paper border with piercing, embossing and gilding. Back: lettered with prayer in French, the name of publisher, and the word Souvenir, printed in black.
Dimensions
  • Height: 10.2cm
  • Width: 6.8cm
Production typeMass produced
Marks and inscriptions
Sta Maria Einsiedelnsis (Lettered in black, within a scroll banner within the design)
Credit line
Given by Tim Travis in memory of Leslie Travis
Subjects depicted
Place depicted
Summary
In art history, a black madonna is a painting or sculpture depicting the Virgin Mary with dark or black skin, created in Europe in the late Medieval period. Some are made of dark or black materials such as ebony, others are said to have become blackened from the soot of candles, although this explanation and the significance of the Virgin's skin colour is contested. There are several hundred black madonnas in Europe and the topic has attracted a considerable literature in recent decades approaching the subject from anthropological, art historical, feminist, psychoanalytical and Afrocentric perspectives.

The Abbey of Einsiedeln is a Benedictine monastery dedicated to Our Lady of the Hermits and located in the village of Einsiedeln twenty miles southeast of Zurich. According to 9th and 14th-century sources, the hermit St Meinrad (d. 861) was especially devoted to the Virgin and was given a miracle-working statue of the Virgin and Child by Abbess Hildegard of Zurich around which he built a chapel. Following his murder, a church was built over this chapel. The new church was dedicated but not the chapel. In 948 Conrad of Constance was praying in the chapel when he witnessed Christ and the angels performing the dedication rites. A papal bull of 11th November 966 allowed the celebration of the anniversary of this miracle and granted remission of sins to pilgrims to the shrine. This holy card would have been published for sale to pilgrims as a souvenir of the shrine.
Collection
Accession number
E.493-2018

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Record createdJune 20, 2018
Record URL
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