Sauterelles thumbnail 1
Image of Gallery in South Kensington
On display at V&A South Kensington
Jewellery, Rooms 91, The William and Judith Bollinger Gallery

Sauterelles

Brooch
1911 (designed)
Artist/Maker
Place of origin

René Lalique was Art Nouveau's most important jeweller. He developed a new stylistic language based on sinuous interpretations of natural forms, and championed non-precious materials such as enamel, glass and horn. The resulting pieces were both dramatic and ethereal, and had a profound influence on other jewellers who went on to work in the Art Nouveau style.

Lalique underwent a conventional apprenticeship and later attended art school in England before working as a designer for well-known Parisian jewellery firms. During the 1890s he undertook an exhaustive programme of technical research into glass and enamel which led to his distinctive jewellery style.

Glass was a continuing passion, and in 1910 he bought a glassworks, abandoning work with precious metals almost entirely. This brooch is an example of his experimentation with the medium. Its grasshopper motif also highlights his enduring fascination with insects.


Object details

Categories
Object type
TitleSauterelles (manufacturer's title)
Materials and techniques
Press-moulded glass backed with foil
Brief description
Brooch of glass backed with a pink foil, with traces of blue pigment, designed by René Lalique in 1911, made by the Lalique Glassworks, probably c.1928
Physical description
Brooch of glass backed with a pink foil, with traces of blue pigment
Dimensions
  • Diameter: 4.35cm
  • Depth: 1.75cm
Summary
René Lalique was Art Nouveau's most important jeweller. He developed a new stylistic language based on sinuous interpretations of natural forms, and championed non-precious materials such as enamel, glass and horn. The resulting pieces were both dramatic and ethereal, and had a profound influence on other jewellers who went on to work in the Art Nouveau style.

Lalique underwent a conventional apprenticeship and later attended art school in England before working as a designer for well-known Parisian jewellery firms. During the 1890s he undertook an exhaustive programme of technical research into glass and enamel which led to his distinctive jewellery style.

Glass was a continuing passion, and in 1910 he bought a glassworks, abandoning work with precious metals almost entirely. This brooch is an example of his experimentation with the medium. Its grasshopper motif also highlights his enduring fascination with insects.
Collection
Accession number
CIRC.355-1971

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Record createdJanuary 30, 2008
Record URL
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