Mainbocher Corset
Photograph
08/1939 (photographed), 15/09/1939 (published), 12/1939 (published)
08/1939 (photographed), 15/09/1939 (published), 12/1939 (published)
Artist/Maker | |
Place of origin |
The German-born photographer Horst P. Horst (real name Horst Bohrmann) began to work for the French Vogue in 1931, a year after his arrival in Paris. He was greatly influenced by his Surrealist contemporaries such as Salvador Dali and Man Ray, using elements of Surrealism in his work.
This photograph was taken on the day he left France for New York, just weeks before the outbreak of the Second World War. It was then published in the French Vogue in December 1939. The dramatic lighting and the body, which is only partially seen, are elements which often occurred in Horst's work and suggest a Surrealist influence.
This photograph was taken on the day he left France for New York, just weeks before the outbreak of the Second World War. It was then published in the French Vogue in December 1939. The dramatic lighting and the body, which is only partially seen, are elements which often occurred in Horst's work and suggest a Surrealist influence.
Object details
Categories | |
Object type | |
Title | Mainbocher Corset (assigned by artist) |
Materials and techniques | Gelatin silver print |
Brief description | Photograph by Horst P. Horst, 'Mainbocher Corset', Corset designed by Detolle for Mainbocher modelled by Madame Bernon. Gelatin silver print, 1939. |
Physical description | Fashion photograph depicting a model wearing a corset. Seen from the back, the model has raised, bent arms and lowers her head to her left shoulder. The corset has back-lacing, the stay ribbons are left partly undone. |
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Subjects depicted | |
Summary | The German-born photographer Horst P. Horst (real name Horst Bohrmann) began to work for the French Vogue in 1931, a year after his arrival in Paris. He was greatly influenced by his Surrealist contemporaries such as Salvador Dali and Man Ray, using elements of Surrealism in his work. This photograph was taken on the day he left France for New York, just weeks before the outbreak of the Second World War. It was then published in the French Vogue in December 1939. The dramatic lighting and the body, which is only partially seen, are elements which often occurred in Horst's work and suggest a Surrealist influence. |
Bibliographic references |
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Collection | |
Accession number | PH.222-1985 |
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Record created | January 23, 2008 |
Record URL |
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