Request to view

This object can be requested via email from the Prints & Drawings Study Room

Lady Ruthven

Photograph
1905 (printed), 1843-1847 (photographed)
Artist/Maker
Place of origin

Photograph by David Octavius Hill and Robert Adamson, 'Lady Ruthven, brilliant wit and leader of Edinburg Society', from the portfolio '20 photogravures from D.O. Hill's original negatives by James Craig Annan Hon FRPS', calotype negative taken 1843-1847, photogravure, 1905, presented to the Royal Photographic Society in 1933

Object details

Categories
Object type
Titles
  • Lady Ruthven (assigned by artist)
  • Lady Mary Hamilton (Campbell) Ruthven (generic title)
Materials and techniques
Brief description
Photograph by David Octavius Hill and Robert Adamson, 'Lady Ruthven, brilliant wit and leader of Edinburg Society', from the portfolio '20 photogravures from D.O. Hill's original negatives by James Craig Annan Hon FRPS', calotype negative taken 1843-1847, photogravure, 1905, presented to the Royal Photographic Society in 1933
Dimensions
  • Mount width: 250mm
  • Height: 320mm
Style
Credit line
The Royal Photographic Society Collection at the V&A, acquired with the generous assistance of the National Lottery Heritage Fund and Art Fund.
Object history
This portfolio contains the museum numbers RPS.1858:1-2018 to RPS.1858:15-2018.
Historical context
The famous partnership and collaboration between the artist David Octavius Hill and the photographer Robert Adamson came into being originally in order to produce photographic portraits to assist Hill as a painter. The team produced a wide range of superb, valuable work and they were the first consistently and successfully employ calotype process in Great Britain.

1843 Hill was introduced to Adamson and they began to collaborate on the production of calotype portraits as reference images for the painting 'The Signing of the Deed of Demission' which represents 474 dignitaries. Essentially, Hill posed and arranged the individual sitters or groups while Adamson attended to the technical aspects of the exposure, processing, and printing.

Some of their most powerful images, however, were made in Scottish seashore villages and depict fishermen and women. They also photographed the architecture and monument of Scotland and made calotypes of their friends posed in medieval armour or costumes.
Subject depicted
Associated object
RPS.1858-2018 (RPS Group record)
Bibliographic references
  • Stevenson, Sara. 'David Octavius Hill and Robert Adamson: Catalogue of their Calotypes Taken Between 1843 and 1847 in the Collection of the Scottish National Portrait Gallery', (Edinburgh: National Galleries of Scotland, 1981). ISBN 0903148374
  • Stevenson, Sara. 'David Octavius Hill and Robert Adamson: Catalogue of their Calotypes Taken Between 1843 and 1847 in the Collection of the Scottish National Portrait Gallery', (Edinburgh: National Galleries of Scotland, 1981). ISBN 0903148374
Other numbers
  • PGP HA 2330 - Scottish National Portrait Gallery negative number
  • pg. 144 (a) - National Galleries of Scotland, Hill & Adamson 1981 Catalogue, page and classification
  • XRP270 - RPS collection - V&A identifier
Collection
Accession number
RPS.1858:9-2018

About this object record

Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.

You can write to us to suggest improvements to the record.

Suggest feedback

Record createdMay 10, 2018
Record URL
Download as: JSONIIIF Manifest