Blind Winder, Victoria & Albert Museum
Photograph
1931 (made)
1931 (made)
Artist/Maker | |
Place of origin |
Emil Otto Hoppé was one of the most active art and documentary photographers of his time. Born in Munich, Hoppé moved to London in his early 20s where he began to exhibit as an amateur photographer. He opened his first photography studio in 1907, expanding to a larger studio by 1911. Hoppé became a renowned portrait photographer. His sitters included many luminary personalities from the arts, literature, and politics such as George Bernard Shaw, Thomas Hardy, T.S. Eliot, Vaslav Nijinsky, Queen Mary, King George, and other members of the Royal Family. Hoppé was also known as a talented landscape and travel photographer. He journeyed across Britain and Ireland to study people from all walks of life, but also as far as Cuba, Sri Lanka and New Zealand to expand his body of work. This collecton of 80 photographs depict London in the 1920s and 30s, including famous landmarks such as Big Ben, St Pauls Cathedral and boats on the river Thames. There are also snapshots of day to day life in the city, often captured by Hoppé with a mix of poignancy and humour. A large portion of the pictures depict the V&A, such as cleaners in the galleries, a blind winder, the 1930s equivalent of ‘Opinions’ afternoons, and lectures. There are also images of the Natural History Museum and the Royal College of Art.
Object details
Category | |
Object type | |
Title | Blind Winder, Victoria & Albert Museum (generic title) |
Materials and techniques | Gelatin silver print |
Brief description | Photograph by Emil Otto Hoppé of Blind Winder, Victoria & Albert Museum, London, 1931 |
Physical description | Photograph depicts a man winding a blind in a Gallery at the Victoria and Albert Museum. In the foreground on the floor are decorative mosaic tiles. On the left of the photograph is a large candelabra on a stand. In the centre of the photograph is a man, wearing a white shirt, waistcoat with chain and pens in breast pocket and trousers. He holds a key in his right hand, and is winding a lever with his left hand, he is in profile. On the right of the photograph can be seen a grate in the wall above which is a framed artwork. On the reverse of the image is written 'Natural history Musuem,' which is crossed out. Also written is 'Blind winder who has to do 270 turns before th eblinds are up,' and the numbers '1355-1713', '17609-34' both crossed out and replaced with the numbers 19678-0010. |
Dimensions |
|
Gallery label |
|
Credit line | Gift of the American Friends of the V&A |
Place depicted | |
Summary | Emil Otto Hoppé was one of the most active art and documentary photographers of his time. Born in Munich, Hoppé moved to London in his early 20s where he began to exhibit as an amateur photographer. He opened his first photography studio in 1907, expanding to a larger studio by 1911. Hoppé became a renowned portrait photographer. His sitters included many luminary personalities from the arts, literature, and politics such as George Bernard Shaw, Thomas Hardy, T.S. Eliot, Vaslav Nijinsky, Queen Mary, King George, and other members of the Royal Family. Hoppé was also known as a talented landscape and travel photographer. He journeyed across Britain and Ireland to study people from all walks of life, but also as far as Cuba, Sri Lanka and New Zealand to expand his body of work. This collecton of 80 photographs depict London in the 1920s and 30s, including famous landmarks such as Big Ben, St Pauls Cathedral and boats on the river Thames. There are also snapshots of day to day life in the city, often captured by Hoppé with a mix of poignancy and humour. A large portion of the pictures depict the V&A, such as cleaners in the galleries, a blind winder, the 1930s equivalent of ‘Opinions’ afternoons, and lectures. There are also images of the Natural History Museum and the Royal College of Art. |
Collection | |
Accession number | PH.268-2021 |
About this object record
Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.
You can write to us to suggest improvements to the record.
Suggest feedback
You can write to us to suggest improvements to the record.
Suggest feedback
Record created | March 14, 2018 |
Record URL |
Download as: JSON