Not on display

Kalpasutra

Manuscript Page
late 15th century to early 16th century (made)
Artist/Maker
Place of origin

The Kalpasutra (Book of Rituals) is the most important canonical text in Jain literature for the Svetambaras (white-clad), one of the two sects of Jainism. Jainism is one of the oldest religions to have survived until the present time and its basic teaching is one of non-violence. The Kalpasutra is divided into three sections. The first section deals with the lives of the twenty-four Jinas or Tirthankaras, who were the Jain spiritual teachers or 'ford-makers'. The second part deals with the life of Mahavira, the twenty-fourth Tirthankara. The third part deals with rules for the ascetics and laws during the four months (chaturmas) of the rainy season, when ascetics temporarily abandon their wandering life and settle down amidst the laity. This is the time when the festival of Paryushan is celebrated and the Kalpasutra is traditionally recited.
This folio shows 'Gautama-jnana', the attainment of perfect knowledge by Mahavira's eldest and principal disciple, Indrabhuti Gautama, himself a renowned teacher. When Mahavira died, Gautama realised that affection even for Mahavira was misplaced and thus overcame the final obstacles to gaining omniscience. Gautama is shown wearing the white robe of a Shvetambara Jain monk. He is seated on a throne, and an honorific umbrella shades him.

Object details

Categories
Object type
Titles
  • Kalpasutra (generic title)
  • Gautama-jnana (generic title)
  • Indrabhuti Gautama (generic title)
Materials and techniques
Painted and written in ink, paint and gold on paper
Brief description
Jain manuscript page, Kalpasutra, Indrabhuti Gautama, ink, paint and gold on paper, Gujarat, late 15th and early 16th century
Physical description
Page recto of a manuscript of the Kalpasutra, ink, paint and gold on paper, consisting of 91 folios, numbered 1-92, with folio 3 missing and containing 38 illustrations. The text is written in black ink in Prakrit, seven lines to the page between red and gold marginal rules and blue border decoration. The text of a Sanskrit commentary is inserted in small Nagari characters in the margins. Central and marginal string-holes are decorated but not pierced and on the obverse of each folio the central hole only is marked. Folio numbers are written in the lower right-hand corner of the reverse of each folio but are defective from folio 85 onwards due to insect damage. The colophon is written in red on f.92 verso (see Marks).
This folio recto depicts Mahavira's disciple Indrabhuti Gautama, attaining perfect knowledge.
Dimensions
  • Length: 10.25in
  • Height: 4.25in
Double-ruled red margins, filled with gold on both sides. Illustrations colour used blue, black, red, white, silver and gold.
Content description
Mahavira's disciple Indrabhuti Gautama, attaining perfect knowledge.
Style
Gallery label
(14.5.2010)
PAGES FROM A KALPASUTRA MANUSCRIPT.
Opaque watercolour with gold on paper.
Western India, probably Gujarat, late 15th or early 16th century

BELOW: INDRABHUTI GAUTAMA ATTAINS PERFECT KNOWLEDGE

IS.46:50-1959

Indrabhuti Gautama, a renowned teacher who was one of the chief disciples of Mahavira, is shown attaining enlightenment. He is depicted in a white robe, in contrast, for example, to the depiction of Mahavira entering Nirvana in the folio to the left.
On becoming ascetics Jains originally abandoned almost all possessions including their clothing. Some monks of the Digambara (sky-clad) sect still go naked, unlike Shvetambara (white-clad) monks.
Object history
Purchased in 1959 from Mr. A. Shah
Production
Western India
Subjects depicted
Summary
The Kalpasutra (Book of Rituals) is the most important canonical text in Jain literature for the Svetambaras (white-clad), one of the two sects of Jainism. Jainism is one of the oldest religions to have survived until the present time and its basic teaching is one of non-violence. The Kalpasutra is divided into three sections. The first section deals with the lives of the twenty-four Jinas or Tirthankaras, who were the Jain spiritual teachers or 'ford-makers'. The second part deals with the life of Mahavira, the twenty-fourth Tirthankara. The third part deals with rules for the ascetics and laws during the four months (chaturmas) of the rainy season, when ascetics temporarily abandon their wandering life and settle down amidst the laity. This is the time when the festival of Paryushan is celebrated and the Kalpasutra is traditionally recited.
This folio shows 'Gautama-jnana', the attainment of perfect knowledge by Mahavira's eldest and principal disciple, Indrabhuti Gautama, himself a renowned teacher. When Mahavira died, Gautama realised that affection even for Mahavira was misplaced and thus overcame the final obstacles to gaining omniscience. Gautama is shown wearing the white robe of a Shvetambara Jain monk. He is seated on a throne, and an honorific umbrella shades him.
Bibliographic references
  • Masterpieces of the Kalpasutra Paintings, Sarbhai M. Nawab. 1956.
  • Catalogue of the Jain Manuscripts of the British Library, Vol.2, page 87, Cat. no. 107.
Collection
Accession number
IS.46:50-1959

About this object record

Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.

You can write to us to suggest improvements to the record.

Suggest feedback

Record createdJanuary 9, 2008
Record URL
Download as: JSONIIIF Manifest