Viorama, or The Way to St Paul's thumbnail 1
Viorama, or The Way to St Paul's thumbnail 2
+2
images
Image of Gallery in South Kensington
Request to view at the National Art Library

Viorama, or The Way to St Paul's

Paper Peepshow
1825 (published)
Artist/Maker
Place of origin

This paper peepshow represents view of the City of London, with St Paul’s Cathedral in the background. The bustling of the street is very effectively portrayed with the variety of pedestrians and vehicles. The choice of the London street view exploits the paper peepshow’s potential to create an illusion of great depth. The perspective is further enhanced by the uneven distance between the cut-out panels, dictated by the paper bellows. The front-face and first two panels are much farther apart from each other than the rest, and the space between the fifth and back panels is particularly narrow. This design successfully creates the impression of looking deep into an extending thoroughfare.

The ‘Way’ to St Paul’s was particularly topical at this time. In the summer of 1825, Lt Col Sir Frederick William Trench MP proposed the construction of a two-mile ‘Triumphal Way’ from Hyde Park to St Paul’s, and a proposal which was rejected and ridiculed. By portraying the existing ‘Way’ to St Paul’s the paper peepshow would seem to say ‘what’s wrong with what we’ve got.’!

The singular name ‘Viaorama’ seems to come from combining ‘via’ (‘way’ in Latin) with ‘-orama,’ the popular suffix for optical devices in this period.

Object details

Categories
Object type
TitleViorama, or The Way to St Paul's (published title)
Materials and techniques
Brief description
Viaorama, or The Way to St Paul’s, Ingrey & Madeley, 1825
Physical description
Accordion-style paper peepshow of the street leading up to St Paul’s Cathedral in London.

5 cut-out panels. 1 peep-hole. Hand-coloured lithograph. In a slipcase. Expands to approximately 29 cm.

Slipcase: covered with maroon textured paper, the title and publisher on a tasselled banner held by a man and a woman, faded image of St Paul’s in the back, a ribbon to facilitate extraction.

Front-face: publisher’s detail, Fame on a cloud, the City of London coat of arms with an auctioneer and possibly a warehouseman on either side, Mansion House footmen inviting a crowd through double doors. The peep-hole is in the shape of an arch above the door.

Panel 1-4: view looking east up Fleet Street to Ludgate Circus and Ludgate Hill, with pedestrians and carriages.

Panel 5: St Martin Ludgate.

Back panel: St Paul’s Cathedral.
Dimensions
  • Height: 17cm
  • Width: 16.1cm
  • Fully extended length: 29cm
Credit line
Accepted under the Cultural Gifts Scheme by HM Government from the collections of Jacqueline and Jonathan Gestetner and allocated to the Victoria and Albert Museum, 2016.
Object history
Part of the Jacqueline and Jonathan Gestetner Collection, collected over 30 years and given to the V&A Museum through the government's Cultural Gift Scheme, 2016.
Summary
This paper peepshow represents view of the City of London, with St Paul’s Cathedral in the background. The bustling of the street is very effectively portrayed with the variety of pedestrians and vehicles. The choice of the London street view exploits the paper peepshow’s potential to create an illusion of great depth. The perspective is further enhanced by the uneven distance between the cut-out panels, dictated by the paper bellows. The front-face and first two panels are much farther apart from each other than the rest, and the space between the fifth and back panels is particularly narrow. This design successfully creates the impression of looking deep into an extending thoroughfare.

The ‘Way’ to St Paul’s was particularly topical at this time. In the summer of 1825, Lt Col Sir Frederick William Trench MP proposed the construction of a two-mile ‘Triumphal Way’ from Hyde Park to St Paul’s, and a proposal which was rejected and ridiculed. By portraying the existing ‘Way’ to St Paul’s the paper peepshow would seem to say ‘what’s wrong with what we’ve got.’!

The singular name ‘Viaorama’ seems to come from combining ‘via’ (‘way’ in Latin) with ‘-orama,’ the popular suffix for optical devices in this period.
Bibliographic reference
R. Hyde, Paper Peepshows. The Jacqueline and Jonathan Gestetner Collection (Woodbridge: The Antique Collectors' Club, 2015), cat. 197.
Other number
38041016058570 - NAL barcode
Collection
Library number
Gestetner 197

About this object record

Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.

You can write to us to suggest improvements to the record.

Suggest feedback

Record createdOctober 18, 2017
Record URL
Download as: JSON