Hydragillite 8.33
Menu
ca. 1951 (made)
ca. 1951 (made)
| Artist/Maker | |
| Place of origin |
The Festival of Britain held in London in 1951 provided new opportunities for textile design and manufacture. Two very distinct types of pattern emerged at this event: one was inspired by scientific, crystal-structure diagrams drawn to record arrangements of atoms in matter; the other was based on abstract forms and organic shape, the so-called 'Contemporary' style.
This menu for the special Festival Dickens Dinner held on 24 July 1951 was edged with cotton lace with a pattern derived from the crystallography model Hydragillite 8.33, provided by the crystallographer Helen Megaw.
The Festival Pattern Group was the brainchild of Mark Harland Thomas of the Council of Industrial Design. He built on the idea first put forward in 1946 by crystallographer Dr Helen Megaw that the patterns made available by X-ray crystallography were particularly appropriate for textile design because of their repetitive symmetry and natural beauty. In 1949 he brought together the group of manufacturers who produced textiles, china, carpets, linoleum and wallpaper decorated with these patterns for the Festival. The project combined science and design and was perfect for the theme of the festival, which was to be a platform for British achievement in science, technology and the arts.
This menu for the special Festival Dickens Dinner held on 24 July 1951 was edged with cotton lace with a pattern derived from the crystallography model Hydragillite 8.33, provided by the crystallographer Helen Megaw.
The Festival Pattern Group was the brainchild of Mark Harland Thomas of the Council of Industrial Design. He built on the idea first put forward in 1946 by crystallographer Dr Helen Megaw that the patterns made available by X-ray crystallography were particularly appropriate for textile design because of their repetitive symmetry and natural beauty. In 1949 he brought together the group of manufacturers who produced textiles, china, carpets, linoleum and wallpaper decorated with these patterns for the Festival. The project combined science and design and was perfect for the theme of the festival, which was to be a platform for British achievement in science, technology and the arts.
Object details
| Categories | |
| Object type | |
| Title | Hydragillite 8.33 (popular title) |
| Materials and techniques | Printed linen edged with machine-embroidered cotton lace |
| Brief description | Commemorative dinner menu of printed linen 'Hydragillite 8.33' edged with machine-embroidered cotton lace, designed by H. Webster, made by A.C. Gill, Great Britain, ca. 1951 |
| Physical description | Dinner menu of printed linen edged with machine-embroidered cotton lace. |
| Dimensions |
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| Credit line | Given by the Council of Industrial Design |
| Object history | X-ray crystallography involved projecting a narrow beam of X-rays on to crystalline material. Photographs were then taken of the diffracted X-rays, and the resulting lines or spots were used to plot 'maps' indicating the relationships between atoms. For the first time ever it enabled scientist to work out the structure of atoms within molecules. Britain was a world leader in the field of crystallography and during the post war period this was one of the most significant and stimulating branches of science. |
| Production | Trimmings used for the Festival Dickens Dinner menu, South Bank, 24th July 1951. Attribution note: Manufacured from 1951 onwards. |
| Association | |
| Summary | The Festival of Britain held in London in 1951 provided new opportunities for textile design and manufacture. Two very distinct types of pattern emerged at this event: one was inspired by scientific, crystal-structure diagrams drawn to record arrangements of atoms in matter; the other was based on abstract forms and organic shape, the so-called 'Contemporary' style. This menu for the special Festival Dickens Dinner held on 24 July 1951 was edged with cotton lace with a pattern derived from the crystallography model Hydragillite 8.33, provided by the crystallographer Helen Megaw. The Festival Pattern Group was the brainchild of Mark Harland Thomas of the Council of Industrial Design. He built on the idea first put forward in 1946 by crystallographer Dr Helen Megaw that the patterns made available by X-ray crystallography were particularly appropriate for textile design because of their repetitive symmetry and natural beauty. In 1949 he brought together the group of manufacturers who produced textiles, china, carpets, linoleum and wallpaper decorated with these patterns for the Festival. The project combined science and design and was perfect for the theme of the festival, which was to be a platform for British achievement in science, technology and the arts. |
| Bibliographic reference | Jackson, Lesley. From Atoms to Patterns. Crystal structure designs from the 1951 Festival of Britain, London:Richard Dennis with Wellcome Institute, 2008, p. 64. |
| Collection | |
| Accession number | CIRC.65-1968 |
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| Record created | November 21, 2007 |
| Record URL |
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