Not on display

Le Train Bleu

Photograph
1924 (photographed)
Artist/Maker
Place of origin

Action stage photograph of Le Train Bleu, performed by Serge Diaghilev's Ballets Russes, June 1924. The photograph shows Lydia Sokolova partnered by Anton Dolin surrounded by the gigolos in their royal blue bathing costumes and the 'poules' young women in their long-sleeved brouwn costumes. The ballet was choreographed by Bronislava Nijinska to music by Darius Milhaud, with a set designed by Henri Laurens and costumes by Coco Chanel.
Given its fashionable appearance Le Train bleu featured in picture-spreads in illustrated periodicals. Most reviews were favourable – energetic, inventive, humorous were discriptive adjectives used. In The Diaghilev Ballet in London (1940) Cyril Beaumont recalled that ‘The formalised setting, with a hint of cliffs, bathing tents, and seascape, was effective, but the costumes – mostly woollen bathing suits – were uninteresting’

Object details

Categories
Object type
TitleLe Train Bleu (generic title)
Materials and techniques
Photograph
Brief description
Photograph of Le Train Bleu, performed by Serge Diaghilev's Ballets Russes, June 1924
Physical description
Stage photograph of a scene from Le Train Bleu, performed by Serge Diaghilev's Ballets Russes, June 1924.
Dimensions
  • Height: 157mm
  • Width: 185mm
Credit line
Cyril W. Beaumont Bequest
Summary
Action stage photograph of Le Train Bleu, performed by Serge Diaghilev's Ballets Russes, June 1924. The photograph shows Lydia Sokolova partnered by Anton Dolin surrounded by the gigolos in their royal blue bathing costumes and the 'poules' young women in their long-sleeved brouwn costumes. The ballet was choreographed by Bronislava Nijinska to music by Darius Milhaud, with a set designed by Henri Laurens and costumes by Coco Chanel.
Given its fashionable appearance Le Train bleu featured in picture-spreads in illustrated periodicals. Most reviews were favourable – energetic, inventive, humorous were discriptive adjectives used. In The Diaghilev Ballet in London (1940) Cyril Beaumont recalled that ‘The formalised setting, with a hint of cliffs, bathing tents, and seascape, was effective, but the costumes – mostly woollen bathing suits – were uninteresting’
Collection
Accession number
S.294-2017

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Record createdAugust 3, 2017
Record URL
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