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Elaine

Photograph
1874 (photographed)
Artist/Maker
Place of origin

In 1874 Alfred Tennyson, the Poet Laureate, invited Cameron to make photographic illustrations to Idylls of the King, his series of narrative poems based on the legends of King Arthur. After her large photographs were published as small, wood-cut copies, Cameron decided to produce an edition illustrated by original photographic prints accompanied by hand-written extracts from the poems printed in facsimile. She claimed to have made as many as 245 exposures to arrive at the 25 she finally published in two volumes in 1874 and 1875.

Object details

Categories
Object type
TitleElaine (assigned by artist)
Materials and techniques
Albumen print from wet collodion glass negative
Brief description
Photograph by Julia Margaret Cameron, 'Elaine' (sitter May Prinsep), albumen print, 1874
Physical description
A photograph of a woman (May Prinsep) seated in profile with untied long hair and holding an embroidered square of fabric upon her lap.
Dimensions
  • Mount height: 485mm
  • Mount width: 390mm
Style
Credit line
The Royal Photographic Society Collection at the V&A, acquired with the generous assistance of the National Lottery Heritage Fund and Art Fund.
Object history
This photograph is a version of a photograph that was originally part of a bound folio volume containing 13 photographs by Cameron and 11 pages of verse text by Tennyson and 3 other text pages. Volume 1 of two albums of illustrations to Tennyson's 'Idylls of the King and other Poems' published by Henry S. King & Co., 1874-75). Each photograph is mounted on bluish mounts with gilt borders.
Subjects depicted
Association
Literary reference'Illustrations to Tennyson's Idylls of the King, and other poems', vol. 1, by Julia Margaret Cameron. London: Henry S. King & Co., 1875.
Summary
In 1874 Alfred Tennyson, the Poet Laureate, invited Cameron to make photographic illustrations to Idylls of the King, his series of narrative poems based on the legends of King Arthur. After her large photographs were published as small, wood-cut copies, Cameron decided to produce an edition illustrated by original photographic prints accompanied by hand-written extracts from the poems printed in facsimile. She claimed to have made as many as 245 exposures to arrive at the 25 she finally published in two volumes in 1874 and 1875.
Associated objects
Bibliographic references
  • Ford, Colin and Cox, Julian. Julia Margaret Cameron: The Complete Photographs. London: Thames and Hudson, 2003. Cat. no. 1166, p.474, ill.
  • Lukitsh, Joanne. Cameron: Her Work and Career. Rochester, N.Y.: International Museum of Photography at George Eastman House, 1986, p.35.
Other numbers
  • XRP 91 - RPS collection - V&A identifier
  • 2003-5001/2/25093 - Science Museum Group accession number
  • 2097/1 - Royal Photographic Society number
Collection
Accession number
RPS.766-2017

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Record createdJune 12, 2017
Record URL
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