Not currently on display at the V&A

Parasol

1926 (made)
Artist/Maker
Place of origin

The parasol was a popular accessory during the 19th and early 20th century, a period when sun tanned was highly undesirable. It functioned both as a sunshade and a fashionable accompaniment to dress, distinguishing itself from the umbrella through its infinite and luxurious forms and essentially feminine status. Like the earlier trend for fans parasols displayed an individual's style and could be used in a coquettish ritual to hide the modest bearer from unwanted glances.

The 1920s were the swansong of the parasol. The new age of sun worship combined with increasingly covered automobiles made it far less desirable than it once was. This en-tout-cas (cross between an umbrella and a parasol) is typical, with a plain waterproofed silk cover and elaborate carved ivory handle. Throughout the 20s shades became shorter, roughly half the length of the previous decade. All were fitted with straps at the handle end for wearing around the wrist, either attached through a small ring, or threaded through a hole in the stick like this cord example. Bird-head designs, such as this budgerigar were also common at this time. This is a replica of an en-tout-cas presented in 1926 to Queen Mary, who was renowned for her use of parasols and en-tout cas.


Object details

Categories
Object type
Parts
This object consists of 2 parts.

  • Parasol
  • Parasol Bag
Materials and techniques
Silk over metal frame, metal stick, malacca wood and carved ivory handle.
Brief description
Parasol and parasol bag of silk with malacca cane handle and ivory head handle, woven by Vanners and Fennell Ltd and made by Cummings, London, 1926.
Physical description
Parasol of lilac silk, with malacca wood handle and a carved ivory budgerigar's head knob. Ten rib frame. Silk cord and tassel in handle.
Dimensions
  • Length: 690mm
  • Closed width: 6cm
Credit line
Given by Mrs. Florence Fennell
Object history
Replica of a parasol originally made for and presented to Queen Mary in 1926. The donor, Mrs. Fennell, was presumably connected to Vanners & Fennell Ltd, the silk-weavers who made the parasol.
Historical context
The parasol was a popular accessory during the 19th and early 20th century, a period when the sun tan was not seen as desirable. It functioned both as a sunshade and a fashionable accompaniment to dress, distinguishing itself from the umbrella through its infinite and luxurious forms and essentially feminine status. Like the earlier trend for fans parasols displayed and individual's style and could be used in a coquettish ritual to hide the modest bearer from unwanted glances.
Production
Silk woven in Bethnal Green
Subject depicted
Summary
The parasol was a popular accessory during the 19th and early 20th century, a period when sun tanned was highly undesirable. It functioned both as a sunshade and a fashionable accompaniment to dress, distinguishing itself from the umbrella through its infinite and luxurious forms and essentially feminine status. Like the earlier trend for fans parasols displayed an individual's style and could be used in a coquettish ritual to hide the modest bearer from unwanted glances.

The 1920s were the swansong of the parasol. The new age of sun worship combined with increasingly covered automobiles made it far less desirable than it once was. This en-tout-cas (cross between an umbrella and a parasol) is typical, with a plain waterproofed silk cover and elaborate carved ivory handle. Throughout the 20s shades became shorter, roughly half the length of the previous decade. All were fitted with straps at the handle end for wearing around the wrist, either attached through a small ring, or threaded through a hole in the stick like this cord example. Bird-head designs, such as this budgerigar were also common at this time. This is a replica of an en-tout-cas presented in 1926 to Queen Mary, who was renowned for her use of parasols and en-tout cas.
Collection
Accession number
T.287&A-1975

About this object record

Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.

You can write to us to suggest improvements to the record.

Suggest feedback

Record createdOctober 1, 2007
Record URL
Download as: JSON