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Michael Faraday

Photograph
1848 (photographed)
Artist/Maker

Claudet was a student of Daguerre, and was among the first to open a photographic portrait studio in London. Though praised for their sharp and minute detail, daguerreotypes were criticised by many for making sitters appear ashen and deathly due to their grey tones. To combat this, some portraits were coloured by hand for a more life-like effect.

Object details

Categories
Object type
TitleMichael Faraday (generic title)
Materials and techniques
Gold toned daguerreotype.
Brief description
Photograph by Antoine Claudet, Portrait of Michael Faraday, gold toned daguerreotype, 1848.
Physical description
A framed gold toned daguerreotype of a portrait of the scientist Michael Faraday. Several stickers on the verso of the frame denoting the title, artist, date, and various museum numbers.
Dimensions
  • Frame height: 172mm
  • Frame width: 149mm
Marks and inscriptions
Someone attempted to clean this... [illegible]

Note
Verso of frame, handwritten in ink at the bottom, writing becomes illegible.
Gallery label
Photography Centre, 2018-20:

Antoine Claudet (1797–1867)
Portraits: Andrew Pritchard; Mrs Andrew Pritchard; Michael Faraday; William Henry Fox Talbot; Young Man; Elderly Man; Young Man; Grandmother Houghton; Elderly Woman; George Houghton; Unknown Woman; John Flight; Young Woman, possibly from the Houghton Family
1840s–50s

Claudet was a student of Daguerre, and was among the first to open a photographic portrait studio in London. Though praised for their sharp and minute detail, daguerreotypes were criticised by many for making sitters appear ashen and deathly due to their grey tones. To combat this, some portraits were coloured by hand for a more life-like effect.

Daguerreotypes
Museum nos. 57, 1422-1939; RPS.373, 374, 377, 378, 387, 388, 389, 426, 492, 495 & 532-2017

The Royal Photographic Society Collection at the V&A, acquired with the generous assistance of the Heritage Lottery Fund and Art Fund
Credit line
The Royal Photographic Society Collection at the V&A, acquired with the generous assistance of the National Lottery Heritage Fund and Art Fund.
Subject depicted
Summary
Claudet was a student of Daguerre, and was among the first to open a photographic portrait studio in London. Though praised for their sharp and minute detail, daguerreotypes were criticised by many for making sitters appear ashen and deathly due to their grey tones. To combat this, some portraits were coloured by hand for a more life-like effect.
Associated object
PROV.2524-2017 (RPS Group record)
Other numbers
  • XRP1516 - RPS collection - V&A identifier
  • 2003-5001/2/28222 - Science Museum Group accession number
  • RPS C7/D7 - RPS identifier - artist name
  • 14 - Royal Photographic Society number
  • Cat. no. 72 - RPS identifier - misc.
Collection
Accession number
RPS.373-2017

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Record createdMay 23, 2017
Record URL
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