Watercolour
late 19th century - early 20th century (drawn)
Artist/Maker |
Beatrix Potter (1866-1943) is one of the world's best-loved children's authors and illustrators. She wrote the majority of the twenty-three Original Peter Rabbit Books between 1901 and 1913. The Tale of Peter Rabbit (Frederick Warne, 1902) is her most famous and best-loved tale.
From early childhood Beatrix Potter spent time drawing the many pets that she kept in her schoolroom: over the years, her pets included lizards, snails, bats, mice, rabbits and many other animals. During the family’s long summer holidays to rural areas she also took the opportunity to draw the plants and animals she saw in the countryside. Even her earliest childhood drawings show a serious interest in natural history, her sketches annotated with information about the species concerned.
As a young woman Beatrix Potter studied natural history with some seriousness, exploring the collections of the Natural History Museum, including the insect cases and fungi specimens. She had a collector’s cabinet full of specimens, from shells to dead butterflies and moths, and used a magnifying glass and a microscope to examine them more closely. She made numerous carefully observed studies of animals and plants from life.
Potter often made sketches of her pets and other animals she came across. The numerous sketches of mice and cats covering both sides of this sheet exemplify Potter’s wish to study the animals concerned from every possible angle. A rough sketch of a garden path on the verso was thought by the Potter scholar Leslie Linder to show Camfield Place, the home of Potter’s paternal grandparents. It is difficult to identify the garden concerned from a rough sketch as Potter drew many gardens, but Gwaynynog, the home of Potter’s aunt and uncle, appears to be another possibility: Potter described the garden at Gwaynynog as the ‘prettiest kind’ and it formed the setting for The Tale of the Flopsy Bunnies (Frederick Warne, 1909).
From early childhood Beatrix Potter spent time drawing the many pets that she kept in her schoolroom: over the years, her pets included lizards, snails, bats, mice, rabbits and many other animals. During the family’s long summer holidays to rural areas she also took the opportunity to draw the plants and animals she saw in the countryside. Even her earliest childhood drawings show a serious interest in natural history, her sketches annotated with information about the species concerned.
As a young woman Beatrix Potter studied natural history with some seriousness, exploring the collections of the Natural History Museum, including the insect cases and fungi specimens. She had a collector’s cabinet full of specimens, from shells to dead butterflies and moths, and used a magnifying glass and a microscope to examine them more closely. She made numerous carefully observed studies of animals and plants from life.
Potter often made sketches of her pets and other animals she came across. The numerous sketches of mice and cats covering both sides of this sheet exemplify Potter’s wish to study the animals concerned from every possible angle. A rough sketch of a garden path on the verso was thought by the Potter scholar Leslie Linder to show Camfield Place, the home of Potter’s paternal grandparents. It is difficult to identify the garden concerned from a rough sketch as Potter drew many gardens, but Gwaynynog, the home of Potter’s aunt and uncle, appears to be another possibility: Potter described the garden at Gwaynynog as the ‘prettiest kind’ and it formed the setting for The Tale of the Flopsy Bunnies (Frederick Warne, 1909).
Object details
Categories | |
Object type | |
Materials and techniques | Pencil and watercolour on paper |
Brief description | Sketches of mice and a broom (recto) and sketches of cats, with a sketch of a garden (verso) by Beatrix Potter; Linder Bequest cat. no. LB.316 |
Physical description | Sketches of mice and a broom (recto) and sketches of cats, with a sketch of a garden (verso). |
Dimensions |
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Style | |
Production type | Unique |
Credit line | Linder Bequest [plus object number; written on labels on the same line as the object number] |
Object history | Acquired by the V&A from Leslie Linder (1904-1973) in 1973 as part of the Linder Bequest, a collection of ca. 2150 watercolours, drawings, literary manuscripts, correspondence, books, photographs, and other memorabilia associated with Beatrix Potter and her family. |
Subjects depicted | |
Summary | Beatrix Potter (1866-1943) is one of the world's best-loved children's authors and illustrators. She wrote the majority of the twenty-three Original Peter Rabbit Books between 1901 and 1913. The Tale of Peter Rabbit (Frederick Warne, 1902) is her most famous and best-loved tale. From early childhood Beatrix Potter spent time drawing the many pets that she kept in her schoolroom: over the years, her pets included lizards, snails, bats, mice, rabbits and many other animals. During the family’s long summer holidays to rural areas she also took the opportunity to draw the plants and animals she saw in the countryside. Even her earliest childhood drawings show a serious interest in natural history, her sketches annotated with information about the species concerned. As a young woman Beatrix Potter studied natural history with some seriousness, exploring the collections of the Natural History Museum, including the insect cases and fungi specimens. She had a collector’s cabinet full of specimens, from shells to dead butterflies and moths, and used a magnifying glass and a microscope to examine them more closely. She made numerous carefully observed studies of animals and plants from life. Potter often made sketches of her pets and other animals she came across. The numerous sketches of mice and cats covering both sides of this sheet exemplify Potter’s wish to study the animals concerned from every possible angle. A rough sketch of a garden path on the verso was thought by the Potter scholar Leslie Linder to show Camfield Place, the home of Potter’s paternal grandparents. It is difficult to identify the garden concerned from a rough sketch as Potter drew many gardens, but Gwaynynog, the home of Potter’s aunt and uncle, appears to be another possibility: Potter described the garden at Gwaynynog as the ‘prettiest kind’ and it formed the setting for The Tale of the Flopsy Bunnies (Frederick Warne, 1909). |
Bibliographic reference | Hobbs, Anne Stevenson, and Joyce Irene Whalley, eds. Beatrix Potter: the V & A collection : the Leslie Linder bequest of Beatrix Potter material : watercolours, drawings, manuscripts, books, photographs and memorabilia. London: Victoria and Albert Museum, 1985.
p. 35; no. 316
Hobbs, Anne Stevenson, and Joyce Irene Whalley, eds. Beatrix Potter: the V & A collection: the Leslie Linder bequest of Beatrix Potter material: watercolours, drawings, manuscripts, books, photographs and memorabilia. London: Victoria and Albert Museum, 1985. p. 35; no. 316 |
Other number | LB.316 - Linder Bequest catalogue no. |
Collection | |
Library number | BP.390 |
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Record created | April 27, 2017 |
Record URL |
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