Tray
ca. 1905 (made)
| Artist/Maker | |
| Place of origin |
Josef Hoffmann studied architecture at the Academy of Fine Arts in Vienna under Carl von Hasenauer and Otto Wagner and was influenced by their theories of a functional, modernist architecture. After winning the Rome prize in 1895 and joining Wagner's office, he established his own office in 1898 and taught at the Vienna Kunstgewerbeschule from 1899 to 1936. He was a founding member of the Vienna Secession, an avant-garde group of artists and architects. In 1903 he founded the Wiener Werkstätte with Koloman Moser. Hoffmann's earliest works reflect the Vienna Secession's variant of Art Nouveau and his later work shows a pioneering use of geometric and abstract design. His most famous building, the Palais Stoclet in Brussels, built 1905-1911, exemplifies the ideal of the 'Gesamtkunstwerk' or 'total work of art'.
Object details
| Category | |
| Object type | |
| Materials and techniques | Iron painted white |
| Brief description | Iron tray, painted white, ca. 1905, designed by Josef Hoffmann made by Wiener Werkstätte, Vienna |
| Physical description | The surface of the tray is entirely pierced with square perforations giving a lattice work effect throughout. The handles are folded over along the outside of the two shorter sides; the width of each and the distance set in from each corner are also equal to the height of each rim. The tray is painted white. |
| Dimensions |
|
| Summary | Josef Hoffmann studied architecture at the Academy of Fine Arts in Vienna under Carl von Hasenauer and Otto Wagner and was influenced by their theories of a functional, modernist architecture. After winning the Rome prize in 1895 and joining Wagner's office, he established his own office in 1898 and taught at the Vienna Kunstgewerbeschule from 1899 to 1936. He was a founding member of the Vienna Secession, an avant-garde group of artists and architects. In 1903 he founded the Wiener Werkstätte with Koloman Moser. Hoffmann's earliest works reflect the Vienna Secession's variant of Art Nouveau and his later work shows a pioneering use of geometric and abstract design. His most famous building, the Palais Stoclet in Brussels, built 1905-1911, exemplifies the ideal of the 'Gesamtkunstwerk' or 'total work of art'. |
| Collection | |
| Accession number | M.13-1982 |
About this object record
Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.
You can write to us to suggest improvements to the record.
Suggest feedback
You can write to us to suggest improvements to the record.
Suggest feedback
| Record created | August 17, 2007 |
| Record URL |
Download as: JSON
