Book of Hours (use of Rheims), in Latin with some French
Manuscript
ca. 1280-1290 (made)
ca. 1280-1290 (made)
Place of origin |
Foliation: parchment. i-ii (19th-century paper, contemporary with binding), iii (19th-century parchment) + 229 (f.229 perhaps a fly-leaf from a late medieval binding) + iv (19th-century parchment), v-vi (19th-century paper) ff.
Number of lines: 15 lines.
Language: Latin with some French.
Script: irregular Gothic Textura bookhand.
Textual content:
ff. 1r-12v: Calendar, in French.
ff. 13r-21v: Full-page miniatures.
ff. 22r-63r: Hours of the Virgin, Use of Reims, with rubrics in Latin. Use of Rheims is indicated by antiphon "O admirabile" and capitulum "Hec est Virgo" at Prime, and the antiphon "Ecce Maria" and capitulum "Felix namque" at None.
ff. 63v-78r: Penitential Psalms with litany (ff. 73r-77v).
ff. 79r-102v: Hours of the Trinity (lacking some leaves).
ff. 103r-118v: Hours of the Holy Spirit.
ff. 119r-150v: Hours of the Passion.
ff. 150v-190r: Office of the Dead, Use of Reims.
ff. 190r-197v: Commendation of Souls.
ff. 197r-208v: Fifteen Gradual Psalms, followed by invocations to the Virgin.
ff. 209r-215v: Devotional sequence.
ff. 215v-228v: Series of prayers in French.
ff. 228v-229v: Devotional text in French, added in a barely legible 16th-century Secretary script.
Decoration: 12 Calendar illustrations, each in a roundel within a square (ff. 1r-12r); small medallions with gold grounds inside square coloured frames.
9 full page miniatures on gold grounds in coloured rectangular frames:
f. 13v: Flagellation of Christ.
f. 14r: Crucifixion.
f. 15v: St John the Baptist.
f. 16r: St Stephen.
f. 17v: St Katherine.
f. 18r: St Nicholas.
f. 19v: St Christopher.
f. 20r: Noli me tangere.
f. 21v: Coronation of the Virgin.
33 half-page miniatures (historiated initials) on gold grounds, with stiff bar, and foliage borders, many containing grotesque figures, birds and animals (ff. 22r, 31v, 40v, 45r, 48r, 51r, 54r, 59v, 63v, 79r, 86r, 89v, 92r, 94r, 96v, 100r, 103r, 109r, 110v, 112r, 113v, 115r, 117r, 119r, 128v, 131r, 135r, 139r, 144r, 147v, 150v, 190r, 197r).
Binding: 19th century, England. Dark brown stamped morocco by F. Bedford, signed on first fly-leaf. Gilt and gauffered edges.
Number of lines: 15 lines.
Language: Latin with some French.
Script: irregular Gothic Textura bookhand.
Textual content:
ff. 1r-12v: Calendar, in French.
ff. 13r-21v: Full-page miniatures.
ff. 22r-63r: Hours of the Virgin, Use of Reims, with rubrics in Latin. Use of Rheims is indicated by antiphon "O admirabile" and capitulum "Hec est Virgo" at Prime, and the antiphon "Ecce Maria" and capitulum "Felix namque" at None.
ff. 63v-78r: Penitential Psalms with litany (ff. 73r-77v).
ff. 79r-102v: Hours of the Trinity (lacking some leaves).
ff. 103r-118v: Hours of the Holy Spirit.
ff. 119r-150v: Hours of the Passion.
ff. 150v-190r: Office of the Dead, Use of Reims.
ff. 190r-197v: Commendation of Souls.
ff. 197r-208v: Fifteen Gradual Psalms, followed by invocations to the Virgin.
ff. 209r-215v: Devotional sequence.
ff. 215v-228v: Series of prayers in French.
ff. 228v-229v: Devotional text in French, added in a barely legible 16th-century Secretary script.
Decoration: 12 Calendar illustrations, each in a roundel within a square (ff. 1r-12r); small medallions with gold grounds inside square coloured frames.
9 full page miniatures on gold grounds in coloured rectangular frames:
f. 13v: Flagellation of Christ.
f. 14r: Crucifixion.
f. 15v: St John the Baptist.
f. 16r: St Stephen.
f. 17v: St Katherine.
f. 18r: St Nicholas.
f. 19v: St Christopher.
f. 20r: Noli me tangere.
f. 21v: Coronation of the Virgin.
33 half-page miniatures (historiated initials) on gold grounds, with stiff bar, and foliage borders, many containing grotesque figures, birds and animals (ff. 22r, 31v, 40v, 45r, 48r, 51r, 54r, 59v, 63v, 79r, 86r, 89v, 92r, 94r, 96v, 100r, 103r, 109r, 110v, 112r, 113v, 115r, 117r, 119r, 128v, 131r, 135r, 139r, 144r, 147v, 150v, 190r, 197r).
Binding: 19th century, England. Dark brown stamped morocco by F. Bedford, signed on first fly-leaf. Gilt and gauffered edges.
Object details
Categories | |
Object type | |
Title | Book of Hours (use of Rheims), in Latin with some French |
Materials and techniques | Ink, pigments and gold on parchment. Leather binding. |
Brief description | Manuscript, Book of Hours, France (Reims?), ca. 1280-1290. |
Physical description | Foliation: parchment. i-ii (19th-century paper, contemporary with binding), iii (19th-century parchment) + 229 (f.229 perhaps a fly-leaf from a late medieval binding) + iv (19th-century parchment), v-vi (19th-century paper) ff. Number of lines: 15 lines. Language: Latin with some French. Script: irregular Gothic Textura bookhand. Textual content: ff. 1r-12v: Calendar, in French. ff. 13r-21v: Full-page miniatures. ff. 22r-63r: Hours of the Virgin, Use of Reims, with rubrics in Latin. Use of Rheims is indicated by antiphon "O admirabile" and capitulum "Hec est Virgo" at Prime, and the antiphon "Ecce Maria" and capitulum "Felix namque" at None. ff. 63v-78r: Penitential Psalms with litany (ff. 73r-77v). ff. 79r-102v: Hours of the Trinity (lacking some leaves). ff. 103r-118v: Hours of the Holy Spirit. ff. 119r-150v: Hours of the Passion. ff. 150v-190r: Office of the Dead, Use of Reims. ff. 190r-197v: Commendation of Souls. ff. 197r-208v: Fifteen Gradual Psalms, followed by invocations to the Virgin. ff. 209r-215v: Devotional sequence. ff. 215v-228v: Series of prayers in French. ff. 228v-229v: Devotional text in French, added in a barely legible 16th-century Secretary script. Decoration: 12 Calendar illustrations, each in a roundel within a square (ff. 1r-12r); small medallions with gold grounds inside square coloured frames. 9 full page miniatures on gold grounds in coloured rectangular frames: f. 13v: Flagellation of Christ. f. 14r: Crucifixion. f. 15v: St John the Baptist. f. 16r: St Stephen. f. 17v: St Katherine. f. 18r: St Nicholas. f. 19v: St Christopher. f. 20r: Noli me tangere. f. 21v: Coronation of the Virgin. 33 half-page miniatures (historiated initials) on gold grounds, with stiff bar, and foliage borders, many containing grotesque figures, birds and animals (ff. 22r, 31v, 40v, 45r, 48r, 51r, 54r, 59v, 63v, 79r, 86r, 89v, 92r, 94r, 96v, 100r, 103r, 109r, 110v, 112r, 113v, 115r, 117r, 119r, 128v, 131r, 135r, 139r, 144r, 147v, 150v, 190r, 197r). Binding: 19th century, England. Dark brown stamped morocco by F. Bedford, signed on first fly-leaf. Gilt and gauffered edges. |
Dimensions |
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Production type | Unique |
Credit line | Bequeathed by George Reid in 1903. |
Object history | (1) Inscribed in a 16th-century hand 'Voire et soufrire / Valentine de Boulongue [sic]' (f. 152v). A Valentine de Boulogne, daughter of Claude and Magdalen d'Aubermont, married Jean-Philippe de Sastres, at an unspecified date - see Dictionnaire de la noblesse, 3rd edn, III, Paris, 1863 (reprint Kraus, 1969, p. 727). A Valentin de Boulogne, painter and glassworker at Coulommers sur Brie (Seine et Marne) was father of a painter of the same name, 1591-1632 (Dictionary of Art 1996 ed.). (2) John Ruskin (1819-1900): given as a present by Ruskin to Laurence Hilliard on 3 December 1878. Inscribed 'Laurence Hilliard with John Ruskin's Love, 3 Dec. 1878'. (3) Laurence Hilliard (1855-1887): received as a present from Ruskin in December 1878 (see inscription quoted above). (4) George Reid (1845-1918): his note 'bought from Hilliard's representatives' on the inside of the back cover. (4) Bequeathed by George Reid to the V&A in 1903. |
Bibliographic references |
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Other numbers |
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Collection | |
Library number | MSL/1903/2074 (Reid 83) |
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Record created | February 25, 2017 |
Record URL |
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