Leaf from a copy of the Sentences by Peter Lombard

Manuscript Cutting
ca. 1170 (made)
Artist/Maker
Place of origin

This leaf contains the beginning of Peter Lombard’s Sentences, introduced in red by ‘Incipit M.P. proemium’, and the chapter heading of Book 1 on the mystery of the Trinity. Peter Lombard (ca. 1096-1160) was a scholar who studied at the Cathedral Schools of Lucca, Reims and Paris. In Paris, he went on to teach at the Cathedral School of Notre Dame. Peter rose from subdeacon to bishop of Paris shortly before his death. With Peter Abelard, he was one of the most important scholastic theologians of his time.

The Four Books of Sentences (Libri Quatuor Sententiarum), Lombard’s most important work, was written around 1150. In this work, he assembled passages from the Bible and put them in dialogue with the writings of Church Fathers and medieval theologians. Divided into four books (on the Trinity, on creation, on sacraments and on Christ’s grace), this systematic compendium of biblical exegesis would become the standard textbook used in universities and numerous copies have survived.

This leaf comes from a manuscript that was probably made in Paris around 1170, shortly after Peter Lombard’s death. After the incipit is a 10-line initial with green, blue, red and gold vine tendrils. Such decoration is characteristic of the Parisian production of the 1160s and 1170s, especially in the abbey of Saint-Victor and the cathedral of Notre Dame.

The inscription in the lower margin reads ‘Dono V. Cl. Domini Aegidii Roberti Doctoris Theologi Paris, IV kal. Octobr. M.DC.LVII’ and indicates that the manuscript was given by Dr Gilles Robert to the Jesuit College of Clermont in Paris (later Collège Louis le Grand) in 1657. The later note in the upper margin confirms that it subsequently belonged to the Jesuit College in Paris. It was common for ownership inscriptions such as these to be added to the first page of a manuscript.

Object details

Categories
Object type
TitleLeaf from a copy of the Sentences by Peter Lombard
Materials and techniques
Ink, pigments and gold on parchment.
Brief description
Manuscript cutting, leaf from Peter Lombard's Sentences (Sententiae), France (Paris?), ca. 1170.
Physical description
Number of lines: 45 lines (2 columns on recto, 3 on verso).

Language: Latin.

Script: proto-Gothic bookhand.

Textual content: first leaf of Peter Lombard’s Sentences (‘Incipit M.P. proemium’).

Decoration: (1) 10-line illuminated initial C, tendrils and dragon head om burnished gold; (2) 2-line initial O, red with painted decoration; (3) alternating blue and red 1-line initials.

Binding: 17th century (?).
Dimensions
  • Leaf height: 325mm
  • Leaf width: 240mm
  • Text block height: 242mm
  • Text block width: 175mm
Production typeUnique
Gallery label
(24/03/2018)
'SENTENCES'
About 1170
Peter Lombard (about 1100-1160)

Peter Lombard studied at the Cathedral School at Reims before moving to Paris. He was elected bishop of Paris shortly before his death in 1160. His Sentences provided a systematic theological text book and was used as the basis of university teaching for centuries.

France, Paris
Ink on parchment, with pigment
Museum no. MSL/1983/19
Object history
(1) Given in 1657 (date erroneous in Watson 2011) to the Jesuit College de Clermont (later known as the College Louis le Grand) in Paris by Dr Gilles Robert. Inscription on recto in the lower margin: 'Dono V.Cl. Dni Aegidii Roberti Doctoris Theologi Paris. iv. Kal. Octobr. M.DC.LVII'.
(2) Collection of Esther Rosenbaum (d.1980) in Chicago.
(3) Bought by the V&A at Sotheby's, London, 25 April 1983, lot 15.

Cuttings from the same manuscript in other collections: McCarthy Collection, BM 1459 (see Kidd 2021).
Summary
This leaf contains the beginning of Peter Lombard’s Sentences, introduced in red by ‘Incipit M.P. proemium’, and the chapter heading of Book 1 on the mystery of the Trinity. Peter Lombard (ca. 1096-1160) was a scholar who studied at the Cathedral Schools of Lucca, Reims and Paris. In Paris, he went on to teach at the Cathedral School of Notre Dame. Peter rose from subdeacon to bishop of Paris shortly before his death. With Peter Abelard, he was one of the most important scholastic theologians of his time.

The Four Books of Sentences (Libri Quatuor Sententiarum), Lombard’s most important work, was written around 1150. In this work, he assembled passages from the Bible and put them in dialogue with the writings of Church Fathers and medieval theologians. Divided into four books (on the Trinity, on creation, on sacraments and on Christ’s grace), this systematic compendium of biblical exegesis would become the standard textbook used in universities and numerous copies have survived.

This leaf comes from a manuscript that was probably made in Paris around 1170, shortly after Peter Lombard’s death. After the incipit is a 10-line initial with green, blue, red and gold vine tendrils. Such decoration is characteristic of the Parisian production of the 1160s and 1170s, especially in the abbey of Saint-Victor and the cathedral of Notre Dame.

The inscription in the lower margin reads ‘Dono V. Cl. Domini Aegidii Roberti Doctoris Theologi Paris, IV kal. Octobr. M.DC.LVII’ and indicates that the manuscript was given by Dr Gilles Robert to the Jesuit College of Clermont in Paris (later Collège Louis le Grand) in 1657. The later note in the upper margin confirms that it subsequently belonged to the Jesuit College in Paris. It was common for ownership inscriptions such as these to be added to the first page of a manuscript.
Bibliographic references
  • Turcheck, J.P., 'A Neglected Manuscript of Peter' Lombard's Liber Sententium and Parisian Illumination of the Late Twelfth Century' Journal of the Walters Art Gallery, 44 (1986), pp. 48-69.
  • De Hamel, C. A History of Illuminated Manuscripts, 2nd edition. London, 1993. p. 113, pl. 96
  • Watson, R. Illuminated manuscripts and their makers. An account based on the collection of the Victoria & Albert Museum. London, 2003. pp. 80-81.
  • Davies, G. and K. Kennedy. Medieval and Renaissance Art: People and Possessions. London, 2009. p. 88
  • Watson, R. Western Illuminated Manuscripts.Victoria and Albert Museum. A catalogue of works in the National Art Library from the eleventh to the early twentieth century, with a complete account of the George Reid Collection. London, 2011. vol. 1, pp. 52-53, cat. 5
  • Kidd, P., The McCarthy Collection. Vol. III: French Miniatures, London: Ad Ilissum, 2021. pp. 44-46, fig. 10.1, in relation to no. 10 (sister leaf; as France, second half of 12th century, c.1170).
Other number
KRP.D.21 - NAL Pressmark
Collection
Library number
MSL/1983/19

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Record createdFebruary 25, 2017
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