Collar Link
1800-1850 (made)
Artist/Maker | |
Place of origin |
Men throughout Europe wore silver buttons with their traditional costume in the 19th century. Silver filigree buttons had been synonymous with rural dress since at least the 16th century. Most European cultures disapproved of male jewellery, but buttons allowed men to show off their wealth and status.
Silver filigree buttons of this kind, called ‘braamknopen’ (blackberry buttons) in Dutch, are now regarded as typical of Zeeland. In the 18th and early 19th century they were worn throughout the Netherlands, and along the North Sea coast in Germany as well. These were acquired in Emden, in north Germany, just across the river Ems from Groningen in the north of the Netherlands, but their design and the circular ring joining them are typical of Dutch buttons.
Dutch men wore dozens of silver buttons on their costume. Individual buttons were worn in sets on jackets and shirts. Pairs of buttons like these, joined together by a silver ring, were worn at the neck of the shirt. The name ‘keelknopen’ means collar buttons in Dutch. These were bought for five shillings (for three pairs) at the International Exhibition, London, 1872.
Silver filigree buttons of this kind, called ‘braamknopen’ (blackberry buttons) in Dutch, are now regarded as typical of Zeeland. In the 18th and early 19th century they were worn throughout the Netherlands, and along the North Sea coast in Germany as well. These were acquired in Emden, in north Germany, just across the river Ems from Groningen in the north of the Netherlands, but their design and the circular ring joining them are typical of Dutch buttons.
Dutch men wore dozens of silver buttons on their costume. Individual buttons were worn in sets on jackets and shirts. Pairs of buttons like these, joined together by a silver ring, were worn at the neck of the shirt. The name ‘keelknopen’ means collar buttons in Dutch. These were bought for five shillings (for three pairs) at the International Exhibition, London, 1872.
Object details
Categories | |
Object type | |
Materials and techniques | Silver filigree |
Brief description | Pair of linked silver filigree collar buttons (keelknopen), Netherlands, 1800-1850. |
Physical description | Pair of silver filigree buttons, linked by a circular ring. The buttons have D-section loop shanks, flat backs of open filigree, and domed filigree fronts, of eight lobes. The fronts are decorated with a central coil ring, surrounded by a bunched coil ring, and an outer ring of smaller coil rings, on an open frame of plain lobes. The infill on the back is made from twisted wires in a figure-of-eight shape. |
Dimensions |
|
Production | Worn by men |
Summary | Men throughout Europe wore silver buttons with their traditional costume in the 19th century. Silver filigree buttons had been synonymous with rural dress since at least the 16th century. Most European cultures disapproved of male jewellery, but buttons allowed men to show off their wealth and status. Silver filigree buttons of this kind, called ‘braamknopen’ (blackberry buttons) in Dutch, are now regarded as typical of Zeeland. In the 18th and early 19th century they were worn throughout the Netherlands, and along the North Sea coast in Germany as well. These were acquired in Emden, in north Germany, just across the river Ems from Groningen in the north of the Netherlands, but their design and the circular ring joining them are typical of Dutch buttons. Dutch men wore dozens of silver buttons on their costume. Individual buttons were worn in sets on jackets and shirts. Pairs of buttons like these, joined together by a silver ring, were worn at the neck of the shirt. The name ‘keelknopen’ means collar buttons in Dutch. These were bought for five shillings (for three pairs) at the International Exhibition, London, 1872. |
Collection | |
Accession number | 1089-1873 |
About this object record
Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.
You can write to us to suggest improvements to the record.
Suggest feedback
You can write to us to suggest improvements to the record.
Suggest feedback
Record created | August 10, 2007 |
Record URL |
Download as: JSONIIIF Manifest