Louis Ghost armchair
Armchair
2002 (designed), 2007 (manufactured)
2002 (designed), 2007 (manufactured)
Artist/Maker | |
Place of origin |
Philippe Starck has designed numerous plastic chairs, always seeking to lower their cost without compromising their quality. One means is to mould the chair entirely as a single piece, as here, reducing assembly and handling costs to a minimum. The Louis Ghost armchair, and related chairs designed for Kartell in Milan, is made from injection-moulded polycarbonate, a very strong, glassy plastic. Starck's rendering of a late eighteenth-century form of armchair evokes historic good taste, but is sharply contrasted by the icy perfection of the transparent plastic, which is more suggestive of modernity and the future than of the past. The Louis Ghost chair, therefore, combines all the glamour of the Salon with the efficiency of an industrially made product. In the first three years of its production over 100,000 chairs had been sold.
Object details
Categories | |
Object type | |
Title | Louis Ghost armchair (manufacturer's title) |
Materials and techniques | Injection-moulded clear polycarbonate |
Brief description | Louis Ghost armchair, designed by Philippe Starck, 2002, manufactured by Kartell, Italy, 2007, injection moulded clear polycarbonate |
Physical description | Armchair injection-moulded in one piece from clear polycarbonate, with four legs, scooped arms and a sheild back, reminiscent in shape overall of an eighteenth century armchair |
Dimensions |
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Production type | Mass produced |
Credit line | Given by the manufacturer |
Summary | Philippe Starck has designed numerous plastic chairs, always seeking to lower their cost without compromising their quality. One means is to mould the chair entirely as a single piece, as here, reducing assembly and handling costs to a minimum. The Louis Ghost armchair, and related chairs designed for Kartell in Milan, is made from injection-moulded polycarbonate, a very strong, glassy plastic. Starck's rendering of a late eighteenth-century form of armchair evokes historic good taste, but is sharply contrasted by the icy perfection of the transparent plastic, which is more suggestive of modernity and the future than of the past. The Louis Ghost chair, therefore, combines all the glamour of the Salon with the efficiency of an industrially made product. In the first three years of its production over 100,000 chairs had been sold. |
Bibliographic reference | Williams, Gareth, 'The Furniture Machine, furniture since 1990', 2006, pp90-92 |
Collection | |
Accession number | W.9-2007 |
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Record created | July 24, 2007 |
Record URL |
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