Indian Landscape, near Lahore
Photograph
1863-1866 (photographed)
1863-1866 (photographed)
Artist/Maker | |
Place of origin |
In 1863 Samuel Bourne (1834-1912) arrived in India. He had left his job as a Nottingham bank clerk in order to develop a new career as a photographer. Bourne undertook three treks to Kashmir and the western Himalayas in 1863, 1864 and 1866, during which he photographed his surroundings extensively. Throughout his travels he wrote about his first impressions of the places he visited and these writings were published in the British Journal of Photography.
This photograph by Bourne depicts a landscape with date trees near Lahore, and local people with their horses and carts in the foreground. During his time in India Bourne sought to capture ‘picturesque’ views of the scenery he encountered. Such compositions would often focus on idyllic landscapes with the inclusion of people or manmade structures to provide a sense of scale.
Towards the end of the 1860s, Bourne established a partnership with fellow photographer and Englishman Charles Shepherd (fl. 1858-1878) and in the space of a few years Bourne & Shepherd became the pre-eminent photographic firm in India. By the end of 1870 they had three branches, in Simla, Calcutta and Bombay.
Samuel Bourne’s ability to combine technical skill and artistic vision has led to him being recognised today as one of the most outstanding photographers working in India in the nineteenth century.
This photograph by Bourne depicts a landscape with date trees near Lahore, and local people with their horses and carts in the foreground. During his time in India Bourne sought to capture ‘picturesque’ views of the scenery he encountered. Such compositions would often focus on idyllic landscapes with the inclusion of people or manmade structures to provide a sense of scale.
Towards the end of the 1860s, Bourne established a partnership with fellow photographer and Englishman Charles Shepherd (fl. 1858-1878) and in the space of a few years Bourne & Shepherd became the pre-eminent photographic firm in India. By the end of 1870 they had three branches, in Simla, Calcutta and Bombay.
Samuel Bourne’s ability to combine technical skill and artistic vision has led to him being recognised today as one of the most outstanding photographers working in India in the nineteenth century.
Object details
Category | |
Object type | |
Titles |
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Materials and techniques | Albumen print from wet collodion negative |
Brief description | Photograph, 'Indian Landscape, near Lahore', albumen print, Samuel Bourne, India, 1860s |
Physical description | Photograph showing a landscape with date trees. There are groups of people in the foreground, some with cattle and carts. |
Dimensions |
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Marks and inscriptions | Signature and negative number in bottom left corner. |
Object history | This photograph was initially part of the photographic collection held in the National Art Library. The markings on the mount are an indication of the history of the object, its movement through the museum and the way it is categorised. The mount is white. Bottom Left: Label from Bourne catalogue with some handwritten text. |
Production | The print was made before March 1867. |
Place depicted | |
Summary | In 1863 Samuel Bourne (1834-1912) arrived in India. He had left his job as a Nottingham bank clerk in order to develop a new career as a photographer. Bourne undertook three treks to Kashmir and the western Himalayas in 1863, 1864 and 1866, during which he photographed his surroundings extensively. Throughout his travels he wrote about his first impressions of the places he visited and these writings were published in the British Journal of Photography. This photograph by Bourne depicts a landscape with date trees near Lahore, and local people with their horses and carts in the foreground. During his time in India Bourne sought to capture ‘picturesque’ views of the scenery he encountered. Such compositions would often focus on idyllic landscapes with the inclusion of people or manmade structures to provide a sense of scale. Towards the end of the 1860s, Bourne established a partnership with fellow photographer and Englishman Charles Shepherd (fl. 1858-1878) and in the space of a few years Bourne & Shepherd became the pre-eminent photographic firm in India. By the end of 1870 they had three branches, in Simla, Calcutta and Bombay. Samuel Bourne’s ability to combine technical skill and artistic vision has led to him being recognised today as one of the most outstanding photographers working in India in the nineteenth century. |
Other number | 423 - Negative number |
Collection | |
Accession number | 52905 |
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Record created | January 6, 2017 |
Record URL |
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