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Théâtre National de l'Odéon

Poster
1890 (designed and printed)
Artist/Maker
Place of origin

This poster belongs to a large collection assembled during the nineteenth century by Joseph Thacher Clarke, whose wife, Agnes, gave the collection to the Victoria and Albert Museum in 1921. Clarke was one of the first poster collectors and organised several exhibitions of these works at The Royal Aquarium in London. In the introduction to one of the exhibition's catalogues, Clarke showed great foresight when he proposed that the medium would hold enduring appeal and significance:

"The finest posters are, indeed, not only exemplars of artistic originality, beauty, and excellence in technique, but actual records of the daily life and interests of the age. From these documents the future historian may derive the fullest information concerning our food (physical and intellectual), our clothing, our diseases, and our remedies therefor - in short, concerning our vocations, our amusements, and our morals. What would not the archaeologist be willing to give for a set of such documents, relating, let us say, to Pericleian Athens or to Augustan Rome?"

Object details

Categories
Object type
TitleThéâtre National de l'Odéon (assigned by artist)
Materials and techniques
Colour Lithograph
Brief description
Poster for 'Théâtre National de l'Odéon' by Eugène-Samuel Grasset.
Physical description
A young woman with red hair and wearing a blue dress sits in a balcony box fanning herself. Her opera glasses and programme rest beside her on the balcony rim, with a second programme marked 'l'Odéon' crumpled at her feet. The box is also occupied by a middle-aged woman wearing a pearl necklace and carrying a fan. Two men and a young woman converse in the neighbouring box.
Dimensions
  • Height: 1215mm
  • Width: 815mm
Marks and inscriptions
  • E. Grasset (Signed lower right)
  • VDH Sc. (Lower left)
  • Affiche en Chromotypographie executée pour le Théâtre National de L'Odéon par G. de Malherbe + HA Cellot. Imprimeurs Editeurs des Nouvelles Affiches Artistiques. 54 Rue Notre Dame des Champs. Paris (Main text)
Credit line
Given by Mrs J.T. Clarke
Historical context
Derivative of the Impressionist (e.g. Mary Cassatt and Auguste Renoir) paintings of women at the opera (Cassatt: A corner of the Loge, 1879 and At the Opera 1880, Renoir: The Loge, 1874)
Subjects depicted
Summary
This poster belongs to a large collection assembled during the nineteenth century by Joseph Thacher Clarke, whose wife, Agnes, gave the collection to the Victoria and Albert Museum in 1921. Clarke was one of the first poster collectors and organised several exhibitions of these works at The Royal Aquarium in London. In the introduction to one of the exhibition's catalogues, Clarke showed great foresight when he proposed that the medium would hold enduring appeal and significance:

"The finest posters are, indeed, not only exemplars of artistic originality, beauty, and excellence in technique, but actual records of the daily life and interests of the age. From these documents the future historian may derive the fullest information concerning our food (physical and intellectual), our clothing, our diseases, and our remedies therefor - in short, concerning our vocations, our amusements, and our morals. What would not the archaeologist be willing to give for a set of such documents, relating, let us say, to Pericleian Athens or to Augustan Rome?"
Bibliographic reference
Coutts, Howard and Claire Jones Toulouse Lautrec and the art of the French Poster. Bowes Museum, 2004. 53 p., ill. ISBN 0954818202.
Collection
Accession number
E.188-1921

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Record createdJuly 18, 2007
Record URL
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