SE 42
Chair
1949 (designed)
1949 (designed)
Artist/Maker | |
Place of origin |
After the Second World War Egon Eiermann (1904-1970) was commissioned to design and furnish a four-room apartment for the Wie Wohnen? (How to Live) exhibition in Stuttgart and Karlsruhe (1949-50). The aim of the exhibition was to promote modern furniture design that explored new materials and industrial manufacturing methods. Industrial manufacture was seen as the only way to meet the huge demand for new furniture in Germany – caused by vast wartime destruction of housing and the post-war arrival of large numbers of refugees from Germany’s eastern territories.
Eiermann did not have experience in the field of industrial design and had previously only designed furniture to be produced in small numbers. In the spring of 1949, in preparation for the exhibition, Eiermann began to collaborate with the rolling blind and furniture factory Wilde + Spieth to develop plywood furniture that could be produced on an industrial scale. One of the products they created was the model SE 42 chair which was shown in the exhibition and became the first of Eiermann’s designs to go into serial production. The chair very directly re-uses the Eames’ 1946 design for the DCW (dining chair wood). It takes almost exactly the same form as the DCW with only a few minor adjustments – it has three legs instead of four and the fixings are different to the Eames’ design (although the Eameses had designed three legged versions of their chairs which never went into production).
Eiermann did not have experience in the field of industrial design and had previously only designed furniture to be produced in small numbers. In the spring of 1949, in preparation for the exhibition, Eiermann began to collaborate with the rolling blind and furniture factory Wilde + Spieth to develop plywood furniture that could be produced on an industrial scale. One of the products they created was the model SE 42 chair which was shown in the exhibition and became the first of Eiermann’s designs to go into serial production. The chair very directly re-uses the Eames’ 1946 design for the DCW (dining chair wood). It takes almost exactly the same form as the DCW with only a few minor adjustments – it has three legs instead of four and the fixings are different to the Eames’ design (although the Eameses had designed three legged versions of their chairs which never went into production).
Object details
Category | |
Object type | |
Title | SE 42 (assigned by artist) |
Materials and techniques | Moulded 7-ply beech plywood seat and back with 11-ply beech plywood frame, rubber mounts, metal fittings. |
Brief description | SE 42 chair, designed by Egon Eiermann, manufactured by Wilde + Spieth, moulded beech plywood, rubber mounts, metal fittings, Esslingen, Germany, designed 1949 |
Physical description | Three-legged chair with moulded 7-ply beech plywood seat and back with 11-ply beech plywood frame. The seat and back have gentle curves that are moulded to fit the human body. They are attached to the frame by screws and rubber mounts. The screws go directly through the plywood and rubber parts and can be seen on the seat and backrest. The frame is made of three pieces of moulded plywood; one piece forming the two front legs, another the back leg, and the third forming the support for the seat and back. These pieces are attached by rubber mounts and screws - the front legs being sandwiched between the pieces for the back leg (below) and seat and back support (above). |
Dimensions |
|
Production type | Mass produced |
Gallery label | Text from Plywood: Material of the Modern World (15 July-12 November 2017)
SE 42 CHAIR
Designed 1949
This chair directly re-uses an Eames
design. With some minor adjustments,
it takes almost exactly the same form as
the Eames’s DCW (dining chair wood),
which was designed and manufactured at
the same time as the DCM. Such close
imitation highlights the huge popularity
and influence of Eames furniture around
the world.
Designed by Egon Eiermann (1904–70)
Manufactured by Wilde + Spieth
Esslingen, Germany
Moulded 7-ply beech plywood seat and back with 11-ply
beech plywood frame, rubber mounts, metal fittings
V&A: W.8–2017(2017) |
Summary | After the Second World War Egon Eiermann (1904-1970) was commissioned to design and furnish a four-room apartment for the Wie Wohnen? (How to Live) exhibition in Stuttgart and Karlsruhe (1949-50). The aim of the exhibition was to promote modern furniture design that explored new materials and industrial manufacturing methods. Industrial manufacture was seen as the only way to meet the huge demand for new furniture in Germany – caused by vast wartime destruction of housing and the post-war arrival of large numbers of refugees from Germany’s eastern territories. Eiermann did not have experience in the field of industrial design and had previously only designed furniture to be produced in small numbers. In the spring of 1949, in preparation for the exhibition, Eiermann began to collaborate with the rolling blind and furniture factory Wilde + Spieth to develop plywood furniture that could be produced on an industrial scale. One of the products they created was the model SE 42 chair which was shown in the exhibition and became the first of Eiermann’s designs to go into serial production. The chair very directly re-uses the Eames’ 1946 design for the DCW (dining chair wood). It takes almost exactly the same form as the DCW with only a few minor adjustments – it has three legs instead of four and the fixings are different to the Eames’ design (although the Eameses had designed three legged versions of their chairs which never went into production). |
Bibliographic reference | Wilk, Christopher. Plywood: A Material Story. London: Thames & Hudson / V&A, 2017
|
Collection | |
Accession number | W.8-2017 |
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Record created | December 19, 2016 |
Record URL |
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