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Architectural Drawing

1997 (made)
Artist/Maker
Place of origin

This sheet of architectural drawings was created by C J Lim for submission to the 1997 international competition for the design of the Constantini Museum (now known as MALBA, Museum of Latin American Art of Buenos Aires). CJ Lim’s ambitious scheme for the museum complex focused on reconfiguring the urban landscape to create a safe and social space in the centre of Buenos Aires. The scheme used the manipulation of water to create a flexible recreational ‘flood plane’at ground level which could be filled or drained to accommodate a range of activities, from concerts and performance art, to skateboarding and swimming.

The complex was to be divided into ten zones, the museum itself occupying the tenth. Inside the museum complex, space was allocated to an auditorium, car park, café and shops, as well as designated exhibition areas. Three public walkways were intended to allow visitors access from ground level to different points of the museum. The modulation of the water levels would define how the internal zones were used and experienced, by changing the light, colour, intensity, noise and occupancy of these spaces. Although unrealised, this architectural scheme offers an important visual record of the design history of the MALBA and the international competition that led to its creation.

C J Lim (b.1964) is a London-based architect with his own practice, Studio 8 Architects, specialising in urban planning, architecture and landscape. He is Professor of Architecture and Cultural Design at the Bartlett, University College London and was trained at the Architectural Association.

Object details

Categories
Object type
Materials and techniques
tracing paper, ink, paint, printed, painted
Brief description
Architectural drawing, ink with orange paint on tracing paper, for the Costantini Museum, Buenos Aires, by C J Lim, 1997
Physical description
Two sheets of architectural drawings for the Constantini Museum, with crop and registration marks, printed on one large uncut piece of tracing paper. A layer of orange paint has been rollered onto the reverse of the tracing paper, so as to show though and provide a coloured ground for the drawings, which are printed in black ink on the front. The sheet contains six architectural plans for various spaces within the Museum. There is an explanatory key printed on the right hand side of the sheet.
Dimensions
  • Height: 84.3cm
  • Width: 200.3cm (18/10/2017)
Marks and inscriptions
  • MC 4 Code: 340804 MC 3 Code: 340804 (Lettered along top of sheet)
  • CC EE AA DD (Lettering of sections on the right hand side of the sheet )
  • Plan Machine Room and Intelligence Centre (+14.3m) scale 1:200 Plan General Workshop/Professional Workshop (+10.8m) scale 1:200 Plan Storage Room @ Artworks (+7.3m) scale 1:200 Plan Office (+3.8m) + Auditorium (+2.3m) scale 1:200 Plan Entrance (+0m) + Access Hall (-1.0m) scale 1:200 Plan Exhibition Areas (temporary -4.0m, permanent -0.5m) (Lettered)
Credit line
Given by C J Lim/Studio 8 Architects
Association
Summary
This sheet of architectural drawings was created by C J Lim for submission to the 1997 international competition for the design of the Constantini Museum (now known as MALBA, Museum of Latin American Art of Buenos Aires). CJ Lim’s ambitious scheme for the museum complex focused on reconfiguring the urban landscape to create a safe and social space in the centre of Buenos Aires. The scheme used the manipulation of water to create a flexible recreational ‘flood plane’at ground level which could be filled or drained to accommodate a range of activities, from concerts and performance art, to skateboarding and swimming.

The complex was to be divided into ten zones, the museum itself occupying the tenth. Inside the museum complex, space was allocated to an auditorium, car park, café and shops, as well as designated exhibition areas. Three public walkways were intended to allow visitors access from ground level to different points of the museum. The modulation of the water levels would define how the internal zones were used and experienced, by changing the light, colour, intensity, noise and occupancy of these spaces. Although unrealised, this architectural scheme offers an important visual record of the design history of the MALBA and the international competition that led to its creation.

C J Lim (b.1964) is a London-based architect with his own practice, Studio 8 Architects, specialising in urban planning, architecture and landscape. He is Professor of Architecture and Cultural Design at the Bartlett, University College London and was trained at the Architectural Association.
Collection
Accession number
E.699-2017

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Record createdDecember 6, 2016
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