Disclosing Eros
Print
1993 (printed)
1993 (printed)
Artist/Maker | |
Place of origin |
Jacqueline Morreau (1929-2016) was born Milwaukee, and attended the Chouinard Art Institute and then the Jepson Art Institute. She also qualified as a medical illustrator in 1958, and in 1972 she moved to London. She later taught drawing at the Royal College of Art. Her work was allied with the feminist art movement in the 1970s and 1980s, and she contributed to two notable exhibitions originated by the ICA: Women’s Images of Men (also a book, edited by Morreau with critic Sarah Kent) and About Time (both 1980). Her subjects were often drawn from myth and fable, which she used to explore personal and political themes including social injustice, religious intolerance and conflict, and the patriarchal oppression of women. Morreau often chose women from myth – Eve, Pandora, Persephone and Psyche - as figures expressive of women’s agency and independence, and the ways in which such agency has been labelled as disobedient or disruptive.
Object details
Category | |
Object type | |
Title | Disclosing Eros (assigned by artist) |
Materials and techniques | Etching |
Brief description | Jacqueline Morreau: Disclosing Eros, 1993. Etching. |
Physical description | Two figures, Eros and Psyche, reclining. Eros is asleep and Psyche is crouching over him with a lamp looking at his face. Printed in sepia. |
Dimensions |
|
Copy number | 2/40 |
Marks and inscriptions |
|
Credit line | Given by Patrick Morreau |
Subjects depicted | |
Summary | Jacqueline Morreau (1929-2016) was born Milwaukee, and attended the Chouinard Art Institute and then the Jepson Art Institute. She also qualified as a medical illustrator in 1958, and in 1972 she moved to London. She later taught drawing at the Royal College of Art. Her work was allied with the feminist art movement in the 1970s and 1980s, and she contributed to two notable exhibitions originated by the ICA: Women’s Images of Men (also a book, edited by Morreau with critic Sarah Kent) and About Time (both 1980). Her subjects were often drawn from myth and fable, which she used to explore personal and political themes including social injustice, religious intolerance and conflict, and the patriarchal oppression of women. Morreau often chose women from myth – Eve, Pandora, Persephone and Psyche - as figures expressive of women’s agency and independence, and the ways in which such agency has been labelled as disobedient or disruptive. |
Collection | |
Accession number | E.2888-2016 |
About this object record
Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.
You can write to us to suggest improvements to the record.
Suggest feedback
You can write to us to suggest improvements to the record.
Suggest feedback
Record created | November 25, 2016 |
Record URL |
Download as: JSONIIIF Manifest