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P31

Chair
1957 (designed), 1960s (manufactured)
Artist/Maker
Place of origin

The P31 chair was designed by Osvaldo Borsani for Tecno in 1957. It was available in two versions – with three or four legs. The moulded plywood seats and backs were veneered in a range of different woods - including rosewood, teak and walnut - that attached to a minimal tubular steel frame. The simple, functional chair was clearly inspired by the Charles and Ray Eames’ 1940s designs. Borsani even adapted the Eames’ method of attaching the seat back to the frame using rubber ‘shock’ mounts.

The P31 relates closely to another contemporary chair – Borsani’s S88. Designed in 1956, the S88 is a narrower version of the P31, with a folding tubular steel frame. Both the P31 and the S88 were widely published in the Italian design press through the late 1950s and early 1960s. The high profile of these designs reflects a wider interest in Borsani’s contemporary, international aesthetic. No later than 1963 (based on dated photographs in the Borsani archive), the design of both chairs had been slightly adapted by the addition of a brass fitting to the chair back. This additional brass ‘button’, which is in place on the example being acquired, was intended to provide additional stability to the chair back – according to Borsani’s wife, the backs of both chairs had had a tendency to swivel on their single fitting.

Object details

Category
Object type
TitleP31 (assigned by artist)
Materials and techniques
Rosewood-faced 7-ply plywood and tubular steel frame, rubber mounts, brass fittings
Brief description
P31 chair, designed by Osvaldo Borsani, manufactured by Tecno Spa, rosewood-faced 7-ply plywood and tubular steel frame, rubber mounts, brass fittings, Milan, Italy, designed 1957, manufactured 1960s
Physical description
Chair with seat and back of moulded 7-ply rosewood-faced plywood and a black tubular steel frame with three legs. The seat and back are attached to the frame by rubber 'shock' mounts - pieces of rubber glued to the underside of the seat a back that the frame could be screwed to. There is an additional reinforcing brass and steel fitting to the back of the chair.


The legs are formed of three pieces of tubular steel, each bent to form half of two of the chair's legs, so that each of the three legs is formed of two pieces of tubular steel.
Dimensions
  • Height: 78cm (estimated)
  • Width: 57cm (estimated)
  • Depth: 50cm (estimated)
Production typeMass produced
Gallery label
(2017)
Text from Plywood: Material of the Modern World (15 July-12 November 2017)

P31 CHAIR
Designed 1957

With its sweeping, wide plywood back
and seat, this chair was clearly influenced
by the Eames’s designs. Osvaldo Borsani
even adapted the Eames’s method of
attaching the seat back to the frame using
rubber ‘shock’ mounts. The Italian Tecno
company, which was founded in 1953 by
Borsani and his brother Fulgenzio, produced
fashionable, contemporary furniture.

Designed by Osvaldo Borsani (1911–85)
Manufactured in the early 1960s by Tecno SpA
Milan, Italy
Moulded rosewood-faced 7-ply plywood and tubular steel
frame, rubber mounts, brass fittings
Brass fitting on chair back an early 1960s addition
to the initial design

Given by Archivio Osvaldo Borsani
V&A: W.9-2017
Credit line
Given by Archivio Osvaldo Borsani
Summary
The P31 chair was designed by Osvaldo Borsani for Tecno in 1957. It was available in two versions – with three or four legs. The moulded plywood seats and backs were veneered in a range of different woods - including rosewood, teak and walnut - that attached to a minimal tubular steel frame. The simple, functional chair was clearly inspired by the Charles and Ray Eames’ 1940s designs. Borsani even adapted the Eames’ method of attaching the seat back to the frame using rubber ‘shock’ mounts.

The P31 relates closely to another contemporary chair – Borsani’s S88. Designed in 1956, the S88 is a narrower version of the P31, with a folding tubular steel frame. Both the P31 and the S88 were widely published in the Italian design press through the late 1950s and early 1960s. The high profile of these designs reflects a wider interest in Borsani’s contemporary, international aesthetic. No later than 1963 (based on dated photographs in the Borsani archive), the design of both chairs had been slightly adapted by the addition of a brass fitting to the chair back. This additional brass ‘button’, which is in place on the example being acquired, was intended to provide additional stability to the chair back – according to Borsani’s wife, the backs of both chairs had had a tendency to swivel on their single fitting.
Bibliographic reference
Wilk, Christopher. Plywood: A Material Story. London: Thames & Hudson / V&A, 2017
Collection
Accession number
W.9-2017

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Record createdOctober 27, 2016
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