Patang Bazi
Painting
1987 (made)
1987 (made)
Artist/Maker | |
Place of origin |
'Patang Bazi', the title of this painting literally means 'kite flying'. In this painting the artist recalls his personal boyhood memories of playing with kites, combining it with another childhood memory of the puppet theatre. In this case, the artist has depicted puppets resembling kites upside down - that is, hanging from strings instead of being restrained by them. The painting is imbued with a dreamy-like atmosphere, reminiscent of the work of surrealist artist Miro'.
Khanna was born in 1940 in Punjab. In 1962 the artist moved to Britani to pursue his studies in English literature at Oxford University but due to the turmoil in India caused by the war with China, papers from his university in Chandigarh never arrived and he was unable to resume them. Khanna remained in the UK and became a self-taught artist.
Khanna was born in 1940 in Punjab. In 1962 the artist moved to Britani to pursue his studies in English literature at Oxford University but due to the turmoil in India caused by the war with China, papers from his university in Chandigarh never arrived and he was unable to resume them. Khanna remained in the UK and became a self-taught artist.
Object details
Categories | |
Object type | |
Title | Patang Bazi (assigned by artist) |
Materials and techniques | Painted in paint (powdered acrylic discharged with a blowtorch) and sand on canvas |
Brief description | Painting, Patang Bazi(kite-flying), by Balraj Khanna, oil on canvas, London, 1987 |
Physical description | Painting, paint and sand on canvas, as the title 'kite flying' indicates, the painting recalls boyhood memories of playing with kites but this is combined with the other childhood memory of the puppet theatre: puppets resembling kites upside down, hanging from strings instead of being restrained by them. |
Dimensions |
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Content description | Puppets resembling kites upside down, hanging from strings instead of being restrained by them. |
Object history | Purchased from Horizon Gallery. Rp 87/978 'Post-1920' note by Robert Skelton This work by a leading Indian painter and novelist working in this country could perhaps be mistaken for something western in the vein of Miro. In fact it represents his boyhood memories of the kite-flyinf festival, which explains its title Patang Bazi 'kite flying''. It is not merely of kites but also recalls another quintessential Indian childhood experience - the puppet play- since string puppets resemble kites upside-down. Khanna is well regarded by English art critics as you can see from Richard Cork's review in 'Listener' of 4 June 87. Apart from being worth having in its own right and adding a new dimension to what we have in the collection the acquisition of this work by a leading member of the Indian community in this country will serve as a boost to the morale of the community as a whole and help us in our outreach programme. |
Historical context | Horizon Gallery Exhibition in London, June 1987. |
Subject depicted | |
Summary | 'Patang Bazi', the title of this painting literally means 'kite flying'. In this painting the artist recalls his personal boyhood memories of playing with kites, combining it with another childhood memory of the puppet theatre. In this case, the artist has depicted puppets resembling kites upside down - that is, hanging from strings instead of being restrained by them. The painting is imbued with a dreamy-like atmosphere, reminiscent of the work of surrealist artist Miro'. Khanna was born in 1940 in Punjab. In 1962 the artist moved to Britani to pursue his studies in English literature at Oxford University but due to the turmoil in India caused by the war with China, papers from his university in Chandigarh never arrived and he was unable to resume them. Khanna remained in the UK and became a self-taught artist. |
Bibliographic reference | Transcript of BBC Radio World Service interview 'State of Flux' of art critic Richard Cork with artist (see Rp). |
Collection | |
Accession number | IS.88-1987 |
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Record created | June 4, 2007 |
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