Composite
Furnishing Fabric
1987 (printed)
1987 (printed)
Artist/Maker | |
Place of origin |
This textile has been discharge-printed, a process whereby a coloured fabric is printed with chlorine to bleach out specific areas in order to create a design. Timney Fowler chose to use this technique on a soft cotton velvet: the resulting effect suggests the diaphonous quality of an aquatint, with the disembodied motifs appearing to 'float' across the surface.
Entitled 'Composite', or 'Collage', the design belongs to the company's 'Neo Classical' range, which combined sober neo-classical motifs with a monochromatic palette. However, there is a playful element of the surreal about this design, seen in the juxtaposition of fragmentary architectural features such as corinthian columns, busts, friezes and capitals with more unusual forms, such as zebras and fish.
Entitled 'Composite', or 'Collage', the design belongs to the company's 'Neo Classical' range, which combined sober neo-classical motifs with a monochromatic palette. However, there is a playful element of the surreal about this design, seen in the juxtaposition of fragmentary architectural features such as corinthian columns, busts, friezes and capitals with more unusual forms, such as zebras and fish.
Object details
Category | |
Object type | |
Titles |
|
Materials and techniques | Discharge-printed cotton velvet |
Brief description | Furnishing fabric 'Composite' of discharge-printed cotton velvet, made by Timney Fowler Ltd., Great Britain, printed in 1987 |
Physical description | Furnishing fabric of discharge-printed cotton velvet. |
Credit line | Given by the makers |
Object history | Registered File number 1988/1469. |
Production | Known both as 'Composite' and 'Collage'. |
Summary | This textile has been discharge-printed, a process whereby a coloured fabric is printed with chlorine to bleach out specific areas in order to create a design. Timney Fowler chose to use this technique on a soft cotton velvet: the resulting effect suggests the diaphonous quality of an aquatint, with the disembodied motifs appearing to 'float' across the surface. Entitled 'Composite', or 'Collage', the design belongs to the company's 'Neo Classical' range, which combined sober neo-classical motifs with a monochromatic palette. However, there is a playful element of the surreal about this design, seen in the juxtaposition of fragmentary architectural features such as corinthian columns, busts, friezes and capitals with more unusual forms, such as zebras and fish. |
Collection | |
Accession number | T.205-1989 |
About this object record
Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.
You can write to us to suggest improvements to the record.
Suggest feedback
You can write to us to suggest improvements to the record.
Suggest feedback
Record created | April 5, 2007 |
Record URL |
Download as: JSONIIIF Manifest