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France-Champagne

Poster
1891 (made)
Artist/Maker
Place of origin

This poster produced by Pierre Bonnard when he was just 23, differs greatly in style from the tranquil genre paintings he would produce in maturity and for which the artist is best known. The later works have a soft palette and dream-like quality to them, whereas this poster, with its bold graphics and strong use of colour is much more lively.

Bonnard's father, a public servant, had wanted his son to study the law; Bonnard dutifully trained as a barrister and was admitted to the bar at the age of 21. Nevertheless, Bonnard also indulged his aspirations to be a painter and enrolled as a student at the Académie Julian in Paris and it was here that he would meet the fellow artists with whom he would form the symbolist group that was to have a lasting impression on his life's work: Les Nabis.


Object details

Categories
Object type
TitleFrance-Champagne (assigned by artist)
Materials and techniques
Colour lithograph
Brief description
Poster, 'France - Champagne', Pierre Bonnard, French; 1891.
Physical description
Against a yellow ground a woman in evening dress holds a fan in her left hand and in the other, a glass of champagne, its contents overflowing, filling the foreground with bubbles.
Dimensions
  • Height: 800mm
  • Width: 600mm
Marks and inscriptions
  • 'FRANCE - CHAMPAGNE' (Upper centre)
  • PB (Artist's initials)
    Translation
    Pierre Bonnard
  • A notional heraldic device (Upper right.)
  • A French poster stamp (République Française) (upper right)
  • E. DEBRAY PROPRIÉTAIRE LA HAUBETTE-TINQUEUX-LEZ-REIMS Bureau De Représentations 8, Rue de L'ISLY PARIS' (Lower right)
  • 'Imp (...) ANCOL(?) et cie, 83 Frubg St Denis, PARIS' (Lower left)
Credit line
Presented by Mrs. J. T. Clarke.
Subjects depicted
Summary
This poster produced by Pierre Bonnard when he was just 23, differs greatly in style from the tranquil genre paintings he would produce in maturity and for which the artist is best known. The later works have a soft palette and dream-like quality to them, whereas this poster, with its bold graphics and strong use of colour is much more lively.

Bonnard's father, a public servant, had wanted his son to study the law; Bonnard dutifully trained as a barrister and was admitted to the bar at the age of 21. Nevertheless, Bonnard also indulged his aspirations to be a painter and enrolled as a student at the Académie Julian in Paris and it was here that he would meet the fellow artists with whom he would form the symbolist group that was to have a lasting impression on his life's work: Les Nabis.
Bibliographic references
  • Coutts, Howard and Claire Jones Toulouse Lautrec and the art of the French Poster. Bowes Museum, 2004. 53 p., ill. ISBN 0954818202.
  • pp. 38-9 Hannah Brocklehurst and Frances Fowle. Pin-ups : Toulouse-Lautrec and the art of celebrity. Edinburgh : National Galleries of Scotland, 2018. 120 pages : illustrations (some color) ; 30 x 17 cm. ISBN: 9781911054214
Collection
Accession number
E.150-1921

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Record createdMarch 28, 2007
Record URL
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